Artist: Damnations Day
Album Title: A World Awakens
Label: Sensory Records
Release date: 24 March 2017
I have gone on record before about the strength of the heavy music scene in Australia; there is literally no let-up in the number of bands that are coming through. It’s like a torrent. But more than that, these bands almost all display an incredibly high standard, whatever their chosen subgenre. And now you can add the name Damnations Day to the list because, as ‘A World Awakens’ demonstrates, they more than threaten to muscle their way into the competitive antipodean melodic prog metal scene.
In fact, come to think of it, the title of this record is very apt. Prior to the arrival of this sophomore release, I had never even heard of Damnations Day. I suspect I am not alone. But now, the world must surely awaken to the merits of this talented band from Geelong, Victoria.
Damnations Day, who released their debut ‘Invisible, The Dead’ back in 2013, is comprised of vocalist and guitarist Mark Kennedy, his brother Dean Kennedy on drums and Jon King on guitar. Those already familiar with this kind of music will almost certainly recognise the name Teramaze and it might therefore be of interest to know that Dean Kennedy is also their tub-thumper. The Teramaze links don’t stop there either, as Dean Wells was drafted in as session bassist and knob-twiddler extraordinaire.
On that note, it has to be said that ‘A World Awakens’ sounds very good indeed. The production affords the music the power required for a metal band, providing plenty of grunt and muscularity. However, there is clarity too and so the melodic sensibilities, the technicality and the vocals are given the best opportunity to shine.
Speaking of vocals, there’s really no other place to start because boy, this guy can sing. Low range, upper range, soft, powerful, emotive; there’s no place he can’t seemingly go and nothing is off limits. And you can hear that he is giving it everything. There’s an enthusiasm and a vibrancy that comes through, even when Kennedy is leading the music down a darker or more aggressive path. What this means is that Damnations Day are able to compete in a genre that already boasts some amazing singers, when they might have otherwise struggled.
It’s just as well because the music that sits alongside the vocals is genuinely out of the top drawer. When Damnations Day hit full pelt, the riffs are big and bold, the drumming is aggressive and the tone is brooding and intense. Opener ‘The Witness’ is the perfect example, coming out of the blocks with fists flying. The guitar tone that delivers the bruising riffs catches my ear immediately, as does the surprisingly sophisticated rhythm section. The bass rumbles but with understated finesse and the drums deliver both intricacy and an all-out double-pedal assault.
But within the same song, there are some great melodies to be heard, a catchy chorus and brief moments when the foot is taken off the pedal to allow something more subtle and nuanced to come through.
‘Dissecting The Soul’ reminds me of a cross between Circus Maximus and Tomorrow’s Eve. It is a moody composition that has a slightly greater progressive edge whilst the sophisticated chorus is sprawling, dreamy and utterly irresistible, topped off by some dextrous lead guitar work. And I love the dramatic and dark outro too.
The high quality continues as the album develops. For example, ‘Colours of Darkness’ plays around with light and shade to great effect, underlining the bands’ progressive leanings in the process. And then there’s ‘I Pray’ which is an ambitious composition that pulls together a number of different elements into a cohesive and compelling listening experience.
Then there’s my favourite track of them all, ‘A World Awakens’. It was the track that I heard first and immediately pulled me under its spell. It begins with a slow, atmospheric intro before opening up into a galloping verse aided by a commanding vocal performance. It takes a while to materialise but after a suspense-filled build-up, the chorus is absolutely enormous, begging to be sung along to with gusto. Everything about it is just about perfect, culminating in a hair-raising scream from Kennedy that segues into a quieter, more introspective passage before skipping towards its conclusion.
Like most good melodic-leaning metal bands, Damnations Day are not averse to a ballad either, giving us two on ‘A World Awakens’. The first, ‘Into Black’, is dominated by an acoustic guitar and sumptuous vocals initially but introduces well-placed orchestration to provide an elegant and grandiose conclusion. The second, ‘Diagnose’ is also the closing track, bringing the album to an end in style. Again, acoustic guitars figure in the opening stages alongside some deeper and more sombre vocals but are eventually placed by a wonderfully strong and emotive guitar riff that compliments and indeed enhances the melodic intent of the composition. However, the real strength of this last song is its relative simplicity, which allows the atmosphere and the tangible emotions to take centre stage.
To be honest, I can find very little to criticise about Damnations Day and their sophomore album ‘A World Awakens’. It has certainly caught my attention for all the right reasons and deserves to be heard by anyone who enjoys properly powerful melodic metal with a progressive edge.
Powerpoints: 8.75
If you’ve enjoyed this review, check out my others from previous years and for 2017 right here:
Memoriam – For The Fallen
Pallbearer – Heartless
Sleepmakeswaves – Made of Breath Only
Ghost Ship Octavius – Ghost Ship Octavius
Vangough – Warpaint
Telepathy – Tempest
Obituary – Obituary
Fen – Winter
Havok – Conformicide
Wolfheart – Tyhjyys
Svart Crown – Abreaction
Nova Collective – The Further Side
Immolation – Atonement
The Mute Gods – Tardigrades Will Inherit The Earth
Ex Deo – The Immortal Wars
Pyogenesis – A Kingdom To Disappear
My Soliloquy – Engines of Gravity
Nailed To Obscurity – King Delusion
Helion Prime – Helion Prime
Battle Beast – Bringer Of Pain
Persefone – Aathma
Soen – Lykaia
Exquirla – Para Quienes Aun Viven
Odd Logic – Effigy
Mors Principium Est – Embers Of A Dying World
Firewind – Immortals
Slyde – Back Again EP
Sepultura – Machine Messiah
Deserted Fear – Dead Shores Rising
Kreator – Gods Of Violence
Borealis – World of Silence MMXVII
Pain of Salvation – In The Passing Light of Day
I’ve had a soft spot for Moonspell ever since I heard the awesome ‘Irreligious’ back when I was a teenager. However, as far as I was concerned, it took until 2015 and the release of ‘Extinct’ for the Portugese Gothic metallers to hit somewhere near to the heights reached some 20 years ago.
I mentioned in a previous post or two that we were due to expect a sophomore album from John Mitchell in the form of his Lonely Robot creation. Well now, it is 100% official and there is some new information to give you.
I mentioned Solstafir in a previous update also. But, at that time, precious little was known other than a new album had been strongly hinted at. As with Lonely Robot above, we are now furnished with more details, all of which just make me even more excited for what has become a confirmed 2017 release.
I can still hardly believe that I am updating you all on a new Big Big Train album. ‘Folklore’ was amazing, a near masterpiece of quintessentially English progressive rock that has led to them becoming my favourite current prog rock band. But ‘Folklore’ was released less than a year ago. In the intervening time, they have recorded the follow-up simply because their recent song writing endeavours have been so fruitful.
Damnations Day are an Australian band that a few days ago I’d never heard of. However, during one of my regular internet trawls, I came across the track below by accident and am blown away by it. It sounds so powerful, so crunchy and so melodic. It all sounds rather perfect then for a melodic heavy metal band if I’m not mistaken.
Here’s a band that were always on the fringes of big things but, to be honest, I thought they’d long since shuffled off this mortal coil. Labyrinth are an Italian melodic power/progressive metal band who called it quits in 2010 following major line-up instability but some seven years later, are back from the wilderness sporting a mouth-watering new and improved line-up.
Another update, another mention of Ayreon. Well, it wouldn’t be the same without it eh? Today, I can bring you a brand new song off the new Ayreon album entitled ‘Everybody Dies’.
manofmuchmetal.wordpress.com 