albums

The best albums of 2021 so far…April-June, the second quarter

As the pandemic still does its best to mess with the music industry, there is at least a little hope that things might be starting to head towards a bit more normality. But is it too late? Whilst the infection rates rise again, sporting events have seen a re-opening of sorts, with fans allowed back into stadia in increasing numbers. Sadly, things have been much slower for the music industry with very few gigs still taking place. That said, the Download test event seemed to go well, and Bloodstock is just around the corner, so things aren’t all doom and gloom.

Additionally, the bands and artists who brighten our lives with their music have remained hard at work, delivering an incredible amount of new material. I have tried to keep up and review as much as possible, but it has been tough – so that must be a good thing! And here is a quick round-up of my favourite ten albums released in the second quarter of 2021, taking us up to the half-way mark.

If you missed my round-up for the first three months, you can read it here.

Evile

Hell Unleashed

Napalm Records

Genre: Thrash Metal

“In many ways, it’s like Evile have never been away, but in others, it’s patently obvious. The precision and seemingly effortless ability to write head turning thrash metal is to the quartet’s immense credit, whilst the genuine aggression and ferocity with which they approach this new material demonstrates how much it means for Evile to be back and firing on all cylinders. I defy any fan of heavy music to not enjoy this brilliant slab of heavy thrash intensity.”

Read the full review here

— MoMM —

Gojira

Fortitude

Roadrunner Records

Genre: Metal

“On the evidence of ‘Fortitude’, Gojira are one of those bands that are truly deserving of adjectives such as ‘genius’, ‘magical’ and ‘special’. Most of you reading this will already know that ‘Fortitude’ is a no-brainer of an album if you truly enjoy heavy music that’s intelligent, deep, complex, and multi-faceted. Gojira and I will no longer be strangers, I can assure you of that. Magnifique!”

Read the full review here

— MoMM —

Seth

La Morsure Du Christ

Season Of Mist

Genre: Black Metal

“I liked it on a first spin, as I sat open-mouthed in immediate adoration. And since then, I’ve just become ever more enamoured with this record. The imagery may upset some, but I am drawn to the cover artwork, as it is a stunning piece of art. And the lyrical content may upset in equal measure. However, I really don’t care. At the end of the day, I am reviewing the music and, on that score, Seth have created a stunning record. I don’t say this lightly but for my tastes, ‘La Morsure Du Christ’ is an incredible symbiosis of beauty and extremity, making it easily the best black metal album that I have heard this year so far, and maybe for some time before that.”

Read the full review here

— MoMM —

Subterranean Masquerade

Mountain Fever

Sensory Records

Genre: Progressive Metal

“…overall, this album is nothing short of brilliant. It blends the audacity and experimentation of progressive and World music, with some thoroughly gorgeous, almost radio-friendly melodies. But because it has been done with care, passion, and skill, the result is not contrived, or lacking focus. Instead, it is a fully immersive experience and easily the most assured and entertaining album of Subterranean Masquerade’s career to date.”

Read the full review here

— MoMM —

Dordeduh

Har

Prophecy Productions

Genre: Avant-Garde Metal

“What started out as a review into an album that I thought was intriguing and original, has turned into a review of an album that I have fallen in love with. I love the variety, the crushing heaviness, the quiet introspection, the way that it makes me feel as I listen, and the gorgeous melodic aspects that are incredibly strong but not overdone. ‘Har’ is a genuinely original body of work that is an absolute delight to listen to. But more than just listen to it, you feel it too. Everyone should hear this record and everyone should know the name ‘Dordeduh’. “

Read the full review here

— MoMM —

Acolyte

Entropy

Blood Blast Records

Genre: Progressive Rock/Metal

“Passion, authenticity, and belief courses through the material, telling me that Acolyte are a band that are completely and utterly invested in the music that they have created here. I have grown more and more fond of ‘Entropy’ with each rewarding and entertaining spin, to the point where I have a hard job removing it from my stereo. Anyone who has even the most cursory interest in intelligent and progressive music needs to hear this record. ‘Entropy’ will not disappoint, I can guarantee you that. Trust me, I know my onions…I think.”

Read the full review here

— MoMM —

Vola

Witness

Mascot Records

Genre: Progressive Metal

“At the end of the day, I love the riffing, I love the melodies, I love the rich layers, and I have taken many of the songs to my heart. If, like me, you enjoy heavy music with a progressive bent, but with strong, immediate, and irresistible melodies, then ‘Witness’ will be a massive hit with you. But then I guess you already knew that, didn’t you?”

Read the full review here

— MoMM —

Frost*

Day And Age

InsideOut Music

Genre: Progressive Rock

“…it’s a love that has emerged in spite of the fact that, on paper, this shouldn’t be the kind of music to make me giddy and excited to such an extent. But, as I’ve said elsewhere in this review, everything is of the very highest order here: the musicianship, the song writing, the clarity of purpose, and a bucketload of memorable hooks, catchy choruses, and stunning melodies. This is pop-infused, synth-laden progressive rock of the very highest order and I’m thoroughly blown away.”

Read the full review here

— MoMM —

White Moth Black Butterfly

The Cost Of Dreaming

Kscope

Genre: Progressive pop/ambient/electronic

“White Moth Black Butterfly are an incredibly special entity and whether it’s soothing and cinematic, or bold, dark, and smothered in electronics, their music just works. But more than that, it hits me in places that very few other artists manage to reach. Genres be damned, I’m a dyed-in-the-wool metalhead and I love ‘The Cost Of Dreaming’. And if you give it a chance, so will you.”

Read the full review here

— MoMM —

Wooden Veins

In Finitude

The Vinyl Division

Genre: Avant-Garde Metal

“In summary, I can only conclude that in Wooden Veins, lovers of progressive and avant-garde music have a new band in their midst that requires immediate and undivided attention. From the richness of the sound to the quality of musicianship, and from the beauty to the experimentation, ‘In Finitude’ is the real deal. Give it time, and I have no doubt that many will be as bowled over as I am. And rightly so, because Wooden Veins deserve every accolade that is coming their way, I really mean it.”

Read the full review here

— MoMM –

And notable mentions go to:

Morrigu – In Turbulence:

“If you’re a fan of varied music that’s both heavy and soft, harsh and beautiful, then ‘In Turbulence’ is an absolute must-buy.”

Plaguestorm – Purifying Fire:

“…what Plaguestorm and ‘Purifying Fire’ demonstrates is that, in the right hands, melodic death metal can still ignite that fire within me and provide endless hours of enjoyment.”

Fear Factory – Aggression Continuum:

“If this is the quality of material that Fear Factory can produce after three decades, I do not want the journey to end…Wall to wall talent, wall to wall commitment, and wall to wall quality music.”

Thy Catafalque – Vadak:

“It won’t be to everyone’s tastes, but if you like music to challenge you both in terms of the complexities at work but also the variety of genres of music it traverses, you need ‘Vadak’ in your life as soon as possible.”

Anticipated Album Releases in 2020 – Part 4

This series is never finished. There are always new announcements that are made as the year progresses and I enjoy putting these compilations together to ensure that I place the spotlight on albums that I’m really excited to hear during the year. So here’s another batch of releases that have got my juices flowing…

Part 1
Part 2
Part 3

DGM – TBC
Frontiers Music

I’ve always had a bit of a soft spot for Italy’s DGM. Their brand of melodic, progressive power metal (if you want to call it that!) has always been of a very good quality and so I have a disc or two of theirs proudly nestled in my CD collection within the Mansion of Much Metal.

After a quiet period, we have recently found out that the band have begun recording their new, as yet untitled album at Domination Studio. The most recent post showed the photo below alongside the following quote:

“2020 starts in the best way with the recordings of the new album.
This week it’s Andrea’s bass turn.
We worked on the songwriting of the new songs for more than 2 years and we can’t wait for you to listen to the new material.”

For those of you unfamiliar with their output, check out the song below and hopefully you’ll be as eager as I am to hear what they come up with next.

Allen/Olzen – Worlds Apart
Frontiers Music – 6 March 2020

I remember a few years ago now, being floored by the debut album from Russel Allen and Jorn Lande, entitled ‘The Battle’. It was a melodic rock tour-de-force, written by Magnus Karlsson (The Ferrymen, Primal Fear, Starbreaker) and featured two incredible singers at the top of their game.

Frontiers like to bring musicians together to create projects and offer something a little different. Sometimes it works, sometimes it doesn’t to be honest. However, this new release is their latest attempt to bring some big names in rock/metal together to create a bit of magic. Again Karlsson is the primary songwriter, charged with writing music to allow Russell Allen and Anette Olzen to shine behind the microphone.

It may work, it may be the biggest turkey this side of Christmas. However, based on the first song you can hear below, I think it might, just might, have some potential.

Airbag – TBC
Karisma Records

I adore Airbag, and have done ever since my old boss mentioned them in passing one day in the office. I checked them out and fell in love almost immediately. The combination of gorgeous melodies, subtle progressive elements, and the emotion and atmospheric nature of the music combine to create something quite devastatingly beautiful. If you think of something along the lines of an amalgam of Anathema, Pink Floyd, Radiohead and modern Marillion, you’d not be too far off the mark.

I gave ‘Disconnected’, their 2016 album a 9.25 score and I stand by that mark – it is a grower of an album but my goodness, it grows into something quite magical and almost otherworldly. And then, when you factor in the quality of recent solo releases by guitarist Bjørn Riis, you can be certain that this Norwegian quartet have a wealth of ability and inspiration from which I have no doubt, another beautifully smooth and elegant album will be created.

The following was posted recently on social media, just to get us all excited:

“Friends! Here’s a very short taste of what’s to come! We’re in our rehearsal studio listening to an early mix of the new album, which is set for a release later this year.”

https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fairbagsound%2Fvideos%2F527826447825678%2F&show_text=0&width=560

Nightwish – HUMAN. :II: NATURE.
Nuclear Blast – 10 April 2020

Ok, I’ll admit it: I have never been the biggest fan of Nightwish. Whilst the entire world goes gaga over the Finnish symphonic metal sensations, I have always remained a little more reserved. Their high-water mark for me, was the incredibly impressive ‘Once’ that was released in 2004, whilst Tarja Turunen was still behind the microphone.

Since then, the band have had their issues in the vocal department, recruiting first Anette Olzen and then Floor Jansen. The latter has been a huge success but that’s hardly surprising given Jansen’s charisma and incredible abilities. And yet, I have never fully immersed myself in any of the albums released in recent times.

Nevertheless, I remain interested and keen to hear what the band have in store for us in 2020, an interest that has been piqued of late with the excellent solo release from the giant bassist/vocalist Marko Hietala. I wonder whether the intriguingly-titled ‘HUMAN. :II: NATURE.’ the ninth studio album of their successful career will be the one that finally makes the impact on me that previous records have had on others. Hopefully, I will be able to offer a review and you’ll be the first to find out.

Enslaved – TBC
Nuclear Blast

Of ‘E’, their last studio album, I was quoted in my review as saying: “Enslaved are one of those bands that can literally do no wrong. However they decide to evolve their sound, their music always remains of the very highest order. They may have lost a few fans along the way but I’m sure they have gathered many more over the years. And deservedly so, because ‘E’ further cements Enslaved’s credentials as one of the most accomplished, exciting and brave extreme metal bands in the world today.”

It is safe to say then, that I admire and love this Norwegian band. Beginning life as a Norse-inspired black metal band, they have slowly and deliberately morphed into something far more interesting and nuanced. Call them ‘prog’, call them ‘extreme’, call them what you like – the fact remains that Enslaved do their own thing and are truly unique, testing boundaries, exploring new textures, tones and soundscapes And every single time, it seems to work.

Hearing direct from their label, Nuclear Blast, that the band have recently been to Iceland to shoot a video for their new album therefore fills me with joy. I can’t wait to hear what the band have come up with this time for their fifteenth album. No title or release date as yet, but watch this space…

Album of the Year 2016 – Number 1

Here we are. I’ve done it, and I have finished earlier than ever before. I never doubted it, even for a second!

What was also never in doubt was the support that I have received from all of you over the last month or so. The likes, the hits, the comments, the shares…it all comes together to make this whole thing worthwhile and actually a joy to create. The banter, the conversation and the disagreements; they’re all part of life’s rich tapestry.

But best of all is the fact that some of you have discovered a new band or a new album from reading this blog – that’s my main aim and I’m delighted that I have managed to succeed.

As I have said over the past couple of posts, the final three picks caused me no end of trouble. I’m generous with my review scores I will admit but it is rare I give out a perfect 10/10. So the fact that I gave out three during 2016 speaks volumes for the quality of music that was delivered this year.

In reality, the final three albums should be joint winners as they are all so good. However, I wanted to avoid doing this because it might have been a let-down to you all and a bit of a fudge. Instead I have searched deep inside to come up with some kind of order to these excellent releases. In the end, I decided to order them based on the most important factor – how they make me feel. On that basis, I was able to decide on an order that I am content with.

If you’re wondering what my other choices have been this year, then links to all 29 other picks can be found at the bottom of this post. There are also links to my complete series from previous years, 2012-2015. If you take a look, I hope you enjoy the read.

And with that, I can procrastinate no longer; it is time to reveal my album of 2016, the record that has had the biggest and most profound effect on me this year. The winner is…

Number 1

Evergrey
The Storm Within
AFM Records

“The Storm Within’ is the glorious sound that is created when five musicians come together at the very top of their game. Rikard’s keys permeate the entire album with an abundance of sounds and textures, both familiar and new. Tom and Henrik’s guitar playing is out of the top drawer, both in lead and rhythm guises. Johan’s bass is clear within the muscular mix, allowing his understated dexterity and sense of melody to provide an audible pulse to the music. And Jonas’ drumming is the heartbeat, offering a solid foundation that’s also deceptively complex and ambitious, arguably his most accomplished performance to date.

From the first notes of opener ‘Distance’, to the final moments of the closing title track, ‘The Storm Within’ is just about the perfect album for me in the here and now. It is exactly the kind of music that I want to listen to and, more so, that I crave. I have listened to this record more times than I care to admit, probably close to twice a day on average if not more. And the great thing is that it keeps getting better.

For those looking for a carbon copy to any of Evergrey’s previous releases, prepare to be disappointed. ‘The Storm Within’ is the sound of Evergrey 2016 and it is another step in their gradual evolution towards what they personally perceive to be the Holy Grail.

Onto the music itself and deliberate or not, there are more than a few nods to previous releases on this album. Be it a riff that calls to mind ‘Monday Morning Apocalypse’, a string embellishment that conjures up nostalgic memories of ‘Solitude…’ or a keyboard sound that recalls the ‘In Search Of Truth’ era, these little gems do exist and they are truly wonderful.

Give it your full, undivided attention and maybe you too will consider this album to be Evergrey’s finest hour. Will it even replace ‘In Search Of Truth’ as my all-time favourite album? Watch this space. What is certain however is that Evergrey’s majestic blend of heaviness, melody and emotion means that ‘The Storm Within’ is nothing short of a bona fide masterpiece. All hail Evergrey.”

Read the full review here

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Yes, yes, I accept that this is probably the most obvious choice that I have made in this entire series. Evergrey are my all-time favourite band after all, a group of musicians that I hold dear to my heart. However, I would have been the first to moan if they released a bit of a stinker. I have gone on record to suggest that there are a few albums in their back catalogue that I like less, so whilst I love this band, I’m not blindingly biased. At one stage in the mid-noughties, I was even close to replacing Evergrey as my favourite band.

And then ‘Hymns For The Broken’ came along. With it, came a reunited line-up after years of instability and most importantly, some of the most powerful music the band had ever released. The sense of contentment and excitement within the band was tangible and I felt that Evergrey were once again back to their very best. This also worried me because I wasn’t sure whether the euphoria would be short-lived or extend to future albums.

In the middle of 2016, I had my answer in the form of ‘The Storm Within’. Oh. My. Word. You can read the full review to get the bigger picture, but ‘The Storm Within’ is essentially a continuation of what they did so well with ‘Hymns…’ whilst adding a few different ingredients – the cinematic embellishments for one – and more than a few nods to their early days. It turns out to be the perfect blend of old and new and one of the most vital-sounding albums I have heard in some time.

Strong melodies, powerful riffs, bulldozing rhythms, a pronounced progressive element and dark, emotional atmospheres. That’s the Evergrey recipe and it creates some of the best music I have ever heard. This is exactly how I want my music to sound and Evergrey have delivered yet again.

So, ‘The Storm Within’ is expertly written, immaculately performed and anthemic in the extreme. But what tips this album into the top place however, is what has happened since I wrote the review. The songs just get better and better for a start.

And then Tom Englund, the driving force behind the band and the owner of arguably my favourite set of vocal chords in any genre of music went over to Iceland to film some videos. It was felt that Iceland offered the bleak and rugged visuals to fit with the tone of the record and this couldn’t have been more apt.

Tom Englund and his wife duet on the stunningly beautiful and emotional ‘The Paradox Of The Flame’ at the very spot where I scattered my brother’s ashes near the Gulfoss waterfall. The feelings that this evoked within me when I first saw the video can never be forgotten. Goosebumps upon chills upon more chills and then tears…it was a rollercoaster of emotions and one that repeats itself whenever I am brave enough to watch the video.

It was perfect. My favourite band playing beautiful music at one of my most important places on Earth…it was like it was meant to be. I believe that maybe it was meant to be.

The result is that ‘The Storm Within’ is my album of the year for 2016…and rightly so.

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

Album of the Year 2016 – number 2

Album of the Year 2016 – number 3

Album of the Year 2016 – number 4

Album of the Year 2016 – number 5

Album of the Year 2016 – number 6

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

Album of the Year 2016 – Number 2

Welcome to the penultimate day in my 2016 ‘Album of the Year’ top 30 countdown. It is a series I started at the end of November, so around a month later, here we are nearly at the end of this rather epic journey. It’s one that I undertake every year, so I should be used to it by now.

However, I always forget what a buzz it gives me. I really like having the opportunity to listen to the very best music of the year and to then be able to write about it one last time before a whole new year and a new chapter begins. It’s a labour of love that I fully enjoy – I hope you have enjoyed it too.

Forgive me but, as always, if you’re new to this series or my blog in general, links to the previous posts in this series can be found at the bottom of this post, along with links to the entire 2012-2015 lists, should you be interested.

As I stated at the beginning of the last post, these top three albums are almost inseparable and really, they should be given equal billing as joint winners. In my eyes and in my heart, they are equally brilliant and worthy winners. However, I’ve tried to avoid sitting on the fence for the purposes of this series. As a result, I have put these three records in an order. It is a little arbitrary but is based on the way in which the albums in question made me feel and continue to make me feel some time after their release.

So here goes, here is my silver medal winner…

Number 2

Haken
Affinity
InsideOut Music

“…in stark contrast to ‘The Mountain’, ‘Affinity’ captured my imagination right off the bat and has not failed to let go in the month or so that I’ve been listening to it. If anything, the more I listen, the better it gets.

‘Affinity’ is an album that transcends the normal debates around whether it is good or not. Of course it is good, that almost goes without saying.

‘Affinity’ manages to deftly and expertly merge the sounds of the past with the sounds of the future. In spite of the 1980s sheen, all nine compositions on ‘Affinity’ come across to me as fresh and exciting, with accents of djent, post-rock, ambient and all manner of other sounds bursting forth at whim.

How do I sum up an album like this? I could have mentioned a million bands throughout this review, from Textures to King Crimson and beyond as indeed there are reference points all over the place if you’re of a mind to count them. However, Haken are Haken and the bottom line is that they have developed into a modern prog band that is truly unique. ‘Affinity’ is one of the best progressive albums I have ever had the pleasure to listen to but more than that, it truly moves me and I connect to it on an emotional level; it makes me smile, it makes me cry and it makes me feel alive.”

Read the full review here

There is no denying that Haken has been an important band in my collection ever since their debut, ‘Aquarius’. This was a seriously great find for me musically and, as it happens, personally too as the guys in this UK based prog band are some of the nicest and most down-to-earth fellows you’re ever likely to meet. Not that they’ll feel the same about me when they find out that I’ve not given them the ultimate number one slot in this 2016 best of countdown!

Their debut was intriguing, full of unique moments whilst paying homage to their musical heroes. However, as it turns out, this was just the beginning. It was hugely enjoyable but moreover, it hinted at even better to come. Those hints were right. Over time, they have built upon their debut, always seeking to try new things and bring in new sources of inspiration. The net result is, in my opinion, a band that has remained one step ahead of their peers, sounding fresh and interesting with each incarnation and each album.

And so we now have ‘Affinity’, an album that once again sees Haken in devastating form. If ‘The Mountain’ was this young band coming of age, ‘Affinity’ silences any doubters to the assertion that Haken are the most accomplished and exciting band in progressive music today. Too much? Nope, I don’t think so.

Throwing the rule book away, they have managed to create an album that is something that only this sextet could have put together. It is incredibly technical and complex but never at the expense of the songs and the vibe that they are trying to create. ‘Affinity’ harks back unashamedly to the 80s whilst also managing to sound new, innovative and fresh, borrowing from all corners of the musical spectrum in the process. The playful side of Haken, never allowing themselves to be taken too seriously, is evident but, at the same time, there is a much more mature side to much of the material. At some points, the music is deeply moving and touching, whilst at others, you can’t help but smile.

Whilst many have rightly lauded the fantastically epic ‘The Architect’ as the best song on the album, perhaps even the best song of Haken’s career to date, I have other personal favourites from ‘Affinity’. The gorgeous ‘Earthrise’ with its wonderfully up-beat vibe has been my ringtone for months, meaning that I never answer my phone on the first, second or third ring…sometimes, I fail to answer at all. Oh well, music comes first.

Then there’s the closer, ‘Bound By Gravity’ which is much more sombre, fragile and stunningly beautiful. There isn’t anything approaching a weak track on this album but these two have become the show-stoppers for me; when they start, I stop. I stop and listen, regardless of time, situation or mood. This is the hallmark of intensely powerful music.

I adore this album and my adoration has only strengthened as the year has gone on. I’d have to say that ‘Affinity’ is now my favourite Haken album, nudging ‘Visions’ off the top spot. But not only that, ‘Affinity’ is the best progressive album of the year and, for me, the best for some time beyond that too.

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

Album of the Year 2016 – number 3

Album of the Year 2016 – number 4

Album of the Year 2016 – number 5

Album of the Year 2016 – number 6

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

Album of the Year 2016 – Number 3

Welcome to day 28 of my ‘Album of the Year 2016′ top 30 countdown and with it, we’re into the top 3 of the year. Thanks to everyone who has stuck with me over the past month, I hope you’ve found it as fun as I have to write.

As ever, if you are new to this blog, you’ll find links to my previous 27 choices at the bottom of this post along with links to the full series’ from previous years. I hope you enjoy them if you decide to take a look.

Now, I have a bit of a confession to make at this point in the proceedings. The final three choices of mine are so damn-near inseparable that in all reality, they should be a joint no.1. All three have seriously kicked my backside this year and deserve all the accolades that can be bestowed upon them. In my heart, they are as one and cannot be separated.

However, in the spirit of this countdown and to demonstrate that I am able to make a decision however impossible it might be, I have put these three albums into some semblance of an order, based on one simple thing: how they made me feel. They are all superb in their own right, all written and executed with care, passion and finesse.

With that firmly in mind, here’s the bronze medal winner…

Number 3

Katatonia
The Fall Of Hearts
Peaceville Records

“…in short, it is almost impossible for me to not laud ‘The Fall Of Hearts’ as one of the very best releases in the band’s 25-year career. I have weighed it up thoroughly as I’ve lain on the sofa late at night, almost every night, soaking up the music on offer here within album number ten.

…it is a huge album. At nearly 70 minutes in length and spread over 12 tracks, you certainly get value for money and any concern that Katatonia may have been lacking inspiration or drive coming into this recording is immediately expunged. Come on, this is Katatonia after all and so, if anything, it’s exactly the opposite, as if the quintet has come out of the blocks with all guns blazing to prove that the recent instability has not impacted on the band in anything other than a positive manner.

I feel emotionally drained yet elated as it dawns on me that I have just spent an hour in the presence of greatness. Is it their best release ever? It’s too early to say for sure. However, it has had a huge impact on me, just like every release before it. As far as I’m concerned, music is all about the here and now though – how it makes you feel as you listen, how it makes you think and whether or not it gives you strength or a sense of comfort. Right now, ‘The Fall Of Hearts’ calls to me, it speaks to me on a myriad of different levels and I feel stronger and more enriched by it. And that’s more than enough for me right now.

Majestic and peerless, where there is darkness, Katatonia is your master, so allow your heart to fall to them.”

Read the full review here

At the time of my review, I gave ‘The Fall of Hearts’ a perfect 10/10. I stand by this decision wholeheartedly. It deserves this score because of its genre, if such a thing even exists, it is at the very pinnacle, a superlative slab of melancholy dark rock/metal with a progressive sheen. And, if you’ll forgive a further quote from my review:

“Not only is their music of the highest calibre, it is also one of the strongest links between my late brother and I. You see, he had great music taste and it was he that got me to see the light about Katatonia many years ago. Subsequently, whenever I hear Jonas Renkse’s delectably emotive voice or that unmistakeable guitar tone of Anders ‘Blakkheim’ Nystrom, my little brother’s face looms large in my mind every time, usually accompanied by a smile and the odd tear. For that alone, I owe Katatonia a debt of thanks.”

So not only is the music out of the very top drawer, there is a more personal connection between the music of Katatonia and I. It all comes together to create something immensely powerful but intangible and hugely difficult to express in words.

What makes ‘The Fall of Hearts’ so special, even above some of their own extraordinarily strong back catalogue, is that it is the sound of a band still growing, still experimenting and still learning even after so many years. They’ve never stood still but there’s an even greater feeling of exploration and soul-searching on this record.

And inevitably, it is a success. Listen to any of the songs on this record and you can feel the magic. And you can hear something incredibly vibrant and explosive yet poignant, fragile and bleak. What a combination; it is something that Katatonia have mastered and, I hope, will continue to master for many years to come.

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

Album of the Year 2016 – number 4

Album of the Year 2016 – number 5

Album of the Year 2016 – number 6

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

Album of the Year 2016 – Number 4

Welcome to day 27 of my ‘Album of the Year 2016’ top 30 countdown.

It has been a couple of days since I last posted an update in this series – don’t you just hate it when something as inconsequential as Christmas gets in the way of some serious blog writing? Only kidding, I hope you’ve all enjoyed the holidays and are now raring to get back on track with me with the next instalment of this slightly epic series.

We are getting to the really important posts now and with it, the seriously brilliant albums that crossed my path during 2016, helping make my year so much better and more enjoyable. Music has always been an important form of escapism for me and so the albums that feature in the latter stages of this series have given me so much this year to be happy about.

As always, if you are new to this series or if you have been negligent enough to miss any of the series thus far, links to each 2016 post can be found at the bottom of this post. In addition, you’ll also find links to my entire series from previous years, from 2012-2015 inclusive. I hope you enjoy checking them out.

And on that note, I must return to 2016 and reveal my fourth favourite album of this year…

Number 4

Big Big Train
Folklore
English Electric Recordings

“…Big Big Train are masters of song writing with the unnerving ability to pen everything from subtle and fragile pieces right through to up-tempo rocking numbers and everything in between, sometimes all of it within the same song. Their talent allows them to execute extremely technical and sophisticated material in a manner that makes it seem smooth, cohesive and deceptively simple.

…on ‘Folklore’, every track on the record contains a hook or a vocal line or a chorus that will pull you back time after time.

…it is fair to say that every one of the nine songs on offer on ‘Folklore’ delivers something special. This is a remarkably consistent, intelligent and thought-provoking album that is backed up by some of the best progressive rock that I have heard in a long time.

More importantly from my point of view, is the way that the album makes me feel. It makes me run the gamut of emotions if I’m honest, from elated to tearful, but does this in a very sensitive and subtle way. And, strangely enough, Big Big Train makes me proud to be English. It’s a rare feeling in this day and age, but they have a knack of focusing on topics and people worthy of our admiration and attention rather than the opposite.”

Read the full review here

The very fact that a progressive rock album has made it this high in what is, essentially a heavy metal-oriented countdown by a dyed-in-the-wool metal head should speak volumes for the quality of this album. It is simply the greatest progressive rock album that I have heard this year. It might also be one of the best, if not the best, progressive rock album that I have heard for several years. Maybe even ever. And believe me, this is not just unfounded hyperbole, I genuinely mean it.

In my review earlier in the year, I focused on the melodies, the technical prowess of the eight musicians and the way that ‘Folklore’ made me feel. Well, several months on, these huge strengths have become even more important to me and even more pronounced.

Those melodies just burrow deeper into my mind, the stories and lyrical content become ever richer and more interesting and my affinity with the record just gets ever stronger. It is like I have a new friend, or several new friends and every time I press play, I meet up with them and we have another adventure together.

But, unlike a lot of the music that I listen to that has either a more melancholy edge or darker overtones, ‘Folklore’ is a positive life-affirming listening experience. Yes it has its more emotional moments that are thought-provoking or genuinely moving. However, more often than not, it is an album that ultimately lightens my mood, relaxes me and makes me smile.

And all this is wrapped up in some incredibly deep, complex and beautiful pastoral progressive rock that gives so much to the listener each and every time. Is there anything else that I need to say to convince you?

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

Album of the Year 2016 – number 5

Album of the Year 2016 – number 6

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

Album of the Year 2016 – Number 5

Welcome to the top 5 of my ‘Album of the Year 2016’ top 30 countdown. It has been a long time coming but here we finally are – the five best albums of 2016, according to the Man of Much Metal.

as I’ve said many times before, this is just one man’s opinion of the music he has heard over the last 12 months. I have not taken votes, I have not compiled the list in an effort to get extra traffic to my site or a procession of positive, fawning comments. Frankly, given the quality of the music this year, I could have compiled a top 60. But instead, I have kept it to the very best 30 from my subjective viewpoint.

I’m always keen to have a debate, so let me know what you think of my choices.

If you’ve missed any of the previous 25 posts in this series, you can find links to them all at the bottom of this post. In addition, you can also find links to the entire lists I have compiled since 2012, should you be curious about my choices in years gone by.

And now, here comes my pick for the fifth best album of 2016…

Number 5

Borknagar

Winter Thrice

Century Media Records

“It’s only mid-January and already I’m confronted with an album that has well and truly put the cat amongst the proverbial pigeons. The enigmatic and evergreen Borknagar have released what I consider to be their magnum opus. ‘Winter Thrice’ is nothing short of magnificent, a triumphant album full of almost flawless music. You think I’m kidding? You think I’ve begun this review with unnecessary and frivolous hyperbole? Just wait until you hear this beast an then tell me I’m overstating things.

…the first place to start with this record has to be with the vocals. Most bands would kill for a world-class singer but in Borknager circa 2016, there are four.

It is a sensational slab of intelligent, powerful and sophisticated extreme metal that is as beautiful as it is brutal. I have been captivated since the first listen and I cannot see how the spell that Borknagar has cast upon me can be broken. Mind you, I don’t want it to be broken. This is a near perfect aural experience and I am all the richer for having it in my life.”

Read the full review here

12508932_10153931766602082_2205725726582082745_n — Credit: Martine Petra Photography & Dance

‘Winter Thrice’ was the first album of 2016 that knocked me sideways. In fact, it knocked me backwards, sideways and upside down. I knew when I heard it back in early January that it would feature in my top 30 countdown. I knew in January that it would feature in my top 10. But it is testament to its brilliance that it finds itself at number 5 in the face of stiff competition from all quarters since.

In fact, ‘Winter Thrice’ has ended the year being my favourite extreme metal record of 2016. And why have I bestowed this honour upon Borknagar ahead of all other more extreme metal releases this year? The reasons are many but here goes…

Firstly, the four vocalists that appear on the record are sheer class. The variety that each individual brings to the table is immense and gives ‘Winter Thrice’ an added dimension that is lacking almost everywhere else. From growls to smooth, introspective clean voices, the lyrics are delivered in a deliciously unique manner.

The musicianship is out of the very top drawer, as is the songwriting. Each and every composition on this record offers something almost magical or otherworldly that draws me well and truly under their spell. ‘Winter Thrice’ is the sound of a band at the height of their powers and as a result, there is no filler and in fact, there’s nothing less than brilliance to be heard throughout the album.

For me though, the best thing about ‘Winter Thrice’ is the way in which elegant and captivating melodies are brought into the recipe to counteract the heavier bombast elsewhere. It’s sometimes difficult to imagine a true extreme metal band being elegant and sophisticated but that’s exactly what Borknagar achieve. As a result, each facet of their folk-tinged and progressive metal output comes across as being that little bit more powerful, pronounced and engrossing.

It is a special album that can make something so apparently impenetrable and daunting sound so welcoming and warm whilst at the same time kicking some serious butt. Whenever I listen, I never know whether to smile, grimace, head bang or tap my foot. So I generally engage in all four and plenty more besides.

Oh and the title track is just about the most perfect song that I have heard all year. It is truly astonishing and acts as an eloquent example of what Borknagar are all about. I adore it and nearly a year on, I still do not tire of it. If anything, the magic has grown and I’m more obsessed than ever about it. In fact, I think I’ll listen right now, for the 1,034th time…

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

Album of the Year 2016 – number 6

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

Album of the Year 2016 – Number 6

Welcome to day 25 of my ‘Album of the Year 2016’ top 30 countdown.

As if the last 24 posts in this series hadn’t already spelled it out, this year has been one of the most insane ever. I’m sure you’ll agree that the quality has been unbelievable so far. If you’re unfamiliar with my choices, just scroll to the bottom of this post where you’ll find links to each of the wonderful albums I’ve chosen thus far.

And now, as we reach the last six albums in my list, it gets even better. These last six albums are some of the best I have heard for a good while and it has been almost impossible to separate them to put them into some kind of order.

Nevertheless, I have persevered and am now able to shine the spotlight on them. Somewhat conventionally, let me start with number 6…

Number 6

Wolverine
Machina Viva
The Laser’s Edge

“The album, Wolverine’s fifth, goes by the name of ‘Machina Viva’ and, if you’d be so kind, I’d like to here and now go on record and say something directly to Messrs Henriksson (keyboards), Jansson (bass), Losbjer (drums), Jonsson (guitars) and Zell (vocals): thank you. From the bottom of my heart, thank you…You see, for me and many others I’m sure, a world without such beautiful, fragile, challenging and emotional music is unimaginable.

Forget for just a moment all of the intricacies & progressive nuances that litter Wolverine’s music, there are few artists out there that have the unnerving ability to break hearts with just one note. And Wolverine do it with such style that it’s impossible not to get swept up entirely in the emotion of it all…Add to this a level of lyricism that delves deep into the shadows of the human psyche to lay bare all the sorrows, regrets and bleak misery to which we, as humans, are susceptible and all of a sudden, you’re confronted with a body of work that is as draining and intense as it is bleak and stunningly beautiful.

There’s not a lot more I can say to be honest, so I won’t. I’ll just press play again and revel in some properly intelligent and intoxicating music that despite its heart-breaking overtones is a sheer magical delight from start to finish.

listening to Wolverine is more than just listening to music; it is an all-encompassing experience, at its most fulfilling if you give yourself entirely over to it. And yet, somehow, the music also offers a cathartic and highly rewarding journey too.”

Read the full review here

The sheer emotion of this record is the magic, intangible ingredient that makes ‘Machina Viva’ one of the very best albums of 2016. And yet, it was because of this depth that it took me a while to get fully immersed in the record.The lyrical density and the overt sadness that it projects is a daunting prospect initially and I had to be in the right mood to listen.

Now though, I embrace it. It comforts me in a strange way, to know that the raw emotions and human feelings brought to life so eloquently on this record, are not just mine to suffer alone. And I can’t be the only one for sure.

Backing this up is a tour-de-force of progressive rock and metal, where the listener is taken on a journey that climbs up high and plummets low in perfect harmony with the words. It’s a rich aural soundscape that uses minimalist ideas alongside more intricate and complex sections. It challenges the listener but, at the same time, contains some melodic refrains both vocally and instrumentally to tug at the heartstrings and lure you in for repeated listens.

And the crowning glory? It’s the honesty that permeates the entire album. You know for sure that the members of Wolverine are not just making such fragile and emotional music for the sake of it, they are living every word, using their own experiences as the fertile seeds for their artistic output.

I adore ‘Machina Viva’ more with every passing listen. It has become an important part of my 2016 musical tapestry and I have taken it to my heart.

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

Album of the Year 2016 – Number 7

Welcome to day 24 of my annual ‘Album of the Year – top 30 countdown’.

Thank you everyone for the absolutely wonderful support throughout this series. It is a list that I put a lot of effort in to because I want the bands and albums featured to have one final and well-deserved moment in the spotlight.

Remember that this end of year list is not an exercise in rewarding those already successful acts in the hope that I draw more attention to my blog. It is a list of 30 albums that I have heard in 2016 that have had a positive impact on me. Some are unsigned, some are debut albums and others are delivered at the hands of more well-known household names. But they all have that one thing in common – they are full of superb music that has made 2016 a better year for me.

If you’ve missed any of my previous posts in this series, please check out the links at the bottom of this page. There are also links to my similar countdowns from previous years, so feel free to check them out too and let me know what you think.

And now all that’s out of the way, here’s today’s choice at number 7…

Number 7

Dark Tranquillity
Atoma
Century Media Records

“In a nutshell, ‘Atoma’ is just about the perfect blend of the catchiness and immediacy of ‘Haven’ or ‘Character’, the more extreme elements found within ‘We Are The Void’ or ‘Construct’ and the more atmospheric and rich sounds of ‘Projector’, an album which remains a firm favourite to this day. Allow me to elaborate just a touch.

The title track begins with an electronic melody before bursting into life. ‘Oh mama, Stanne has brought back his clean vocals’ I exclaim with barely contained joy on a first spin, having sorely missed this ingredient in recent years. The chosen vocal delivery immediately provides a wonderful ‘Projector’ feel, one of my favourite albums from the strong discography.

Just when I thought 2016 couldn’t get any better, up pops Dark Tranquillity to send me into a spin of emotion and elation. As I said at the outset, Dark Tranquillity have always been very important to me. However, what ‘Atoma’ does so wonderfully, is draw all of their key ingredients together into one 12-track album to create a thrill-ride of expertly-crafted, engaging and elegant melodic death metal. My love for Dark Tranquillity has been well and truly cemented and right now, I can’t think of a better band within this particular genre. They helped to create it, they have helped to shape it and now, in 2016, Dark Tranquillity have proved that they are still, unquestionably, the masters of melodic death metal.”

Read the full review here

Once again, I have quoted my review and left little need for significant embellishment as they pretty much say it all. However, despite Dark Tranquillity’s eleventh album being a relative latecomer to this year’s competition, there was never any doubt it would find a place in this list.

As my review explains, Dark Tranquillity hold a special place in my heart but that alone would not be enough for it to feature here. It adds a certain ingredient to the mix but the music has to be sufficiently strong first and foremost. And on that score, Dark Tranquillity have excelled. A month or two down the line from its release and I am beginning to firmly believe that this could be their best release within an already strong back catalogue.

I was always a sucker for the ‘Projector’ era with the clean vocals from Stanne, but I have also enjoyed their heavier, more extreme side. ‘Atoma’ is the perfect blend of both but it all comes together so smoothly and expertly to leave the listener in no doubt that they belong together. In fact, when dovetailed together like this, both of the distinct elements sound somehow more striking and powerful.

And then, as always, the album delivers strong grooves and sumptuous melodies, adding that irresistibly playful and memorable magic. I have lost count of the number of times I have listened to ‘Atoma’ and I adore it as much now as I did at the beginning. And those I meet when I take the dog out for a walk must know when I’m engrossed in ‘Atoma’ because I’m nodding my head, singing along and smiling broadly. That’s the magic of Dark Tranquillity and that’s why ‘Atoma’, for me, is the best melodeath album of the year in the face of some exceptionally strong competition.

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

Album of the Year 2016 – Number 8

Welcome to day 23 in my ‘Album of the Year 2016’ top 30 countdown. It seems like only yesterday that I began this series and already we’re at number 8. Cor blimey!

I know I’ve said it before but because of the quality of the music this year, this has been the toughest top 10 that I’ve ever had to put together. In fact, it has been the toughest top 30 altogether. I hope you all agree with the choices that I have made, but if you don’t, oh well, I’m sure I’ll live with it. This is just my own personal opinion, not a popularity contest and so the choices I make are mine alone.

As always, each post delivers a link to the full review I wrote earlier in the year, as well as my more up-to-date thoughts on the records. In addition, these posts feature alternative photos and, where possible, a different sample track to try to help explain why I think the album is worthy of inclusion in this list. If you’ve missed any of the previous posts, links are at the bottom of this post as always.

And now, here’s my choice at number 8…

Number 8

Alcest
Kodama
Prophecy Productions

“…‘Kodama’, the fifth release from French duo Alcest, is utterly, jaw-droppingly beautiful. I am thoroughly addicted and transfixed by it, almost to the point of being obsessed.

With ‘Kodama’, like most of their output, Alcest challenge us again but in a positive way. This time, the metal elements make a return and it is most definitely a welcome return as far as I’m concerned. But that doesn’t mean that ‘Kodama’ is any less subtle, beautiful, cerebral, or deep than anything that has gone before.

The result is an album that is melancholy and positive, poignant and uplifting, bold and subtle. And what’s more, all of these elements are placed perfectly; creating a dramatic and scintillating journey through aural textures and tones with a thrilling ebb and flow that means the listener is fully absorbed and entirely invested in the music from the first moment to the very last.

‘Kodama’ truly is one of the most bewitching and beautiful albums I have heard in quite a while, full of sublime melodies, juxtaposing musical ideas and rich textures, pulled together through powerful themes that touch on the conflicting emotions of sorrow and joy. ‘Kodama’ is stunning.”

Read the full review here

I’ve not left an awful lot of room to say much more about ‘Kodama’ given the quotes above. However, they sum up my thoughts and feelings towards this magnificent album perfectly, even after a few months has passed. There are very few superlatives that could be left unused when describing this latest opus from the French duo of Neige and Winterhalter. It really is that good and, had it not been one of the most insanely strong years for music that I can remember, it might well have found itself even higher on my list. It certainly puts forward an eloquent case that it should.

Nevertheless, don’t let the 8th spot put you off in any way. In many ways, the ordering of these records is a touch abstract and merely a vehicle to enable me to countdown my choices every day. What is more important is what I have written in my review and here, in the body of this article.

I find ‘Kodama’ to be one of the more emotional and deep albums that has been released in 2016; you’d have to have a heart of stone to not be affected in some way or another by Alcest’ music. It’s more than music alone, it’s an experience that once experienced, enriches your life and for me, is quite a cathartic experience, cleansing my mind and soul in the process. Sound pretentious? Just have a listen and decide for yourself…

In case you’ve missed any of the other posts in the 2016 series, here they are for you to explore and enjoy:

And from previous years:

Album of the Year 2015
Album of the Year 2014
Album of the Year 2013
Album of the Year 2012

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