Tag Archives: Vanishing Point

BlogOfMuchMetal – Metal News – 24 July 2017

Well, while I’m on a roll, I may as well continue. And while so many bands are also on a roll of late it seems, I owe it to them to keep the news flowing.

If you’ve missed any of my other posts in this series, links to all of them can be found at the bottom of this post.

Jag Panzer release their first song off their new album.

c09ce1fccd75b68f298157c7f5ffc169Jag Panzer – The Deviant Chord
Release date: 29 September 2017
Label: SPV

Jag Panzer and I have never had the smoothest of relationships. I bought ‘Thane To the Throne’ many years ago when it was released but didn’t warm to it, so sold it soon after. Having gone back and listened to it again a few years later, I realise that I made a rather big mistake. They are obviously a band that requires time in order to acquire the taste.

This must still be true to this day because, on a first listen, I was not blown away by ‘Far Beyond All Fear’, the first song to be released off ‘The Deviant Chord’, the tenth album from the US power metal stalwarts. Subsequent spins have been increasingly positive to a point where I’m really rather liking it. The melodies are subtle, the riffing is satisfyingly chunky and there are plenty of solos. In fact, that galloping rhythm is very reminiscent of Iron Maiden. So what’s not to like, then? It bodes well for the entire album when it is released at the end of September.

The Haunted release another song of their highly-anticipated new album…

19399139_10154703997157503_7451569900000520260_nThe Haunted – Strength In Numbers
Release date: 25 August 2017
Label: Century Media Records

The more I hear of this new album from The Haunted, the more excited I get. After the uncompromising and brutal blitz of the well-named ‘Brute Force’, the Swedes have released their second track ‘Spark’ which is a different beast altogether. You still get the harsh vocals and the big, bruising thrash-like riffs. But this time, the song contains more variety, more subtlety and arguably a more sophisticated vibe all-round.

And you know what? I dig this song a lot. It shows that The Haunted are growing and maturing all the time, with the confidence and ability to experiment just a little bit. I love the bass intro andthat quiet mid-song interlude – it is brief but the melody is continued for a time once things get heavier which is a nice touch, as is the more soulful lead guitar solo. There are hints within it to previous work but it still sounds fresh, interesting and has me very intrigued as to the overall sound of ‘Strength In Numbers’.

Confirmed release date and a non-finalised tracklist for ‘1755’ by Moonspell.

19943052_1371175159604409_8323465143835788802_oMoonspell – 1755
Release date: 3 November 2017
Label: Napalm Records

I seem to have been aware of a new album from Portuguese metallers Moonspell for ages. In fact, as early as March, I was gearing up for it.  As I confirmed back then, the record will be entitled ‘1755’ it will centre on the Great Lisbon Earthquake of that year. And, according to the press release, “the band has developed a lyrical concept that looks into the death and rebirth of Lisbon and how the disaster changed Religion, Politics and Philosophy in the whole of Europe.”

We were also told that it would be heavier than ‘Extinct’ and will be sung entirely in Portuguese. It might not be 100% confirmed yet but the track list would bear this out. And that is possibly the most intriguing thing about ‘1755’ – I generally love albums where the lyrics are not in English because there’s a greater authenticity with them and what they are singing about.

Momentum increases on the new Vanishing Point album, coming in early 2018…

Vanishing Point – TBC
Release date: 2018
Label: AFM Records

I have it from the horse’s mouth that the new Vanishing Point album will see the light of day in 2018. During a chat with guitarist and songwriter Chris Porcianko, he confirmed that whilst a date isn’t cast in stone yet, the new record was progressing well. However, it had to be delayed until early 2018 for various reasons. As soon as I hear news of a definite date, I will bring it to you.

Despite the 2018 date, I couldn’t help but bring you an update right now. Why? Because not only are Vanishing Point one of my favourite bands ever, updates from the melodic prog metal masters themselves suggest that the new music could be more in the vein of their 2000 magnum opus, ‘Tangled In Dream’. A top 5 all-time album, this is news that threatens a grown man’s bladder control.

To quote Porcianko directly, he actually said of the new record: So far the new Vanishing Point album is a mix of Prog, metal , melodic metal , hard rock and AOR…There’s a little bit of something in it for everyone…Fans of Distant is The Sun and Tangled In Dream will like it I think.’ No wonder I’m bursting with excitement! So here’s some solo action for us all to enjoy.

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Orphaned Land confirm new album in early 2018…

Orphaned Land – Unsung Prophets and Dead Messiahs
Release date: 26 January 2018
Label: Century Media Records

In a similar vein to Vanishing Point above, I felt compelled to comment about this confirmed release, even if it is destined to see the light of day in 2018. Israeli band Orphaned Land are a special outfit; not only do they create superb melodic progressive metal, but they have managed the seemingly impossible: brought fans of all faiths and backgrounds together in a collective love of music.

It has been quite a while since the quintet last gave their fan base some new music; five years in fact. And given how superb their last record, ‘All Is One’, I am climbing the walls waiting for this new album.

With no new snippets of music to bring you, instead, allow me to remind you just how good their last album was.

Previous updates:

22 July 2017
28 March 2017
23 March 2017
11 March 2017
5th March 2017
26th February 2017
13th February 2017
3rd February 2017
30th January 2017
21st January 2017

Anticipated music in 2017 -An Update – 21 Jan

Since I wrote my series looking at some of my most anticipated album releases of 2016, there have been some updates. I’ve never really done this kind of thing before, so let me know if you like it or find it useful. My plan is that if it is welcome, I could continue these bulk update posts throughout the year. I’ve shied away from re-posting individual press updates as there are plenty of sites that do this and I like my updates to involve a little effort on my part rather than simple regurgitation.

Over to you…what do you think?

Soen – Lykaia

soen

 

First up, here’s a new song from prog band Soen, from their upcoming album ‘Lykaia’ due for release on 3rd February. Soen are a band that I really like but completely forgot to mention in my ‘most anticipated of 2017’series, sorry. I’m a sucker for Marcus Jidell’s guitar playing in particular, as well as the more organic sound that they employ, so I’m really looking forward to hearing some new material from this vastly underrated band.

 

Ayreon

In the last couple of days, Arjen Anthony Lucassen has revealed the title and artwork of his new Ayreon album. Entitled ‘The Source’, I’m sure you’ll agree that the cover is very cool, not to mention quite dark and sinister, suggesting an album full of music with a similar tone. If that’s the case, it is bound to be a hit with me. Mind you, I’m not sure that there is an Ayreon record that has been released to date that I haven’t liked!

ayreon-cover

Iced Earth

On 15th January, Jon Schaffer went live and provided an update on the world of the American metallers. Essentially, the upshot is that the studio that Jon had built is now complete and the pre-production for the album appears to be all but done. What this means is that the various members of Iced Earth will be heading to the studio over the next month or so to record their parts.

And then, just yesterday, we had an update from the studio where drummer Brent Smedley has arrived to lay down his material for the new album. So, whilst there’s yet to be a final release date, things are progressing nicely for a mid-late 2017 release.

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Lost In Thought

A few days ago, a new video was posted by UK prog metallers Lost In Thought. It isn’t very long, but it gives a little insight into the musical direction of the new album and proves that the finished article can’t be a million miles away. I’m liking this riff – it is getting me very interested in hearing the final product that’s for sure.

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Cynthesis/Jasun Tipton

Whilst keeping my eyes open for news on the new Cynthesis album, I had cause to make contact with Jasun. The guy is seriously one of the nicest guys on the planet and his response gave me cause to be extremely happy. Not only is a new Cynthesis on the horizon, there is other music in the pipeline from Mr Tipton. I quote:

“Plenty of music on the horizon actually. A Dying Planet is almost tracked. Cynthesis 3 is in focus again. Plus if I can make Zero Hour – DeEvolution come to life that would be great!”

With regard to the latter, it appears that the material for a new album from Zero Hour was recorded back in 2002-03. There are problems in finding out what programme the files are in given that it is 15 years ago, but this is being worked on as I type. The band is now officially defunct due to the fact that Troy Tipton can’t play the bass guitar any more. However, the music exists and hope is not lost for it to see the light of day eventually. If, like me, you love Jasun’s guitar playing, all this is superb news.

Anathema

In my previous series, I listed Anathema in hope as much as expectation but felt it was a calculated risk based on their normal release cycle of late. There is still no definitive word on a new album in 2017, but the omens are good based on a recent post by the band on social media. The picture is below and I invite you to draw your own conclusions. Personally, I am buoyed by this latest inferred development and will keep my eyes open for more concrete news very soon.

anathema

Seventh Wonder

According to a post on social media, Seventh Wonder are hard at work in the studio at the moment, working on a long overdue follow-up to ‘The Great Escape’. It is too early to say for sure when the new album will be released but at least we now have definitive confirmation that a new record will see the light of day before too long. Finally!

Vanishing Point

Whilst the band pages have been quiet of late, guitarist and all-round top bloke Chris Porcianko posted an update on 17th January to say that vocalist Silvio and he had met up for another pre-production vocal. No samples sadly, but in Chris’ own words: ‘he’s killing it!!’ In addition, he goes on to say: ‘Totally loving the new shit, it’s sounding really, really great…’

Anyone else’s excitement levels just go up a notch? I think we’re guaranteed a new album in 2017 now.

My most anticipated releases of 2017 – Part 1

Welcome to another annual tradition on the Blog of Much Metal, a small series where I take a look at the albums that I am most looking forward to during the coming year. Some of these releases are already confirmed, some I have even heard (with reviews coming soon) and some are just my own fantasies in hope rather than expectation that they might see the light of day in the coming 12 months. Some you might even recognise from previous series’ as I have been wrong about their impending release – in which case, you’ll get the idea about how excited I am about hearing them.

So, without further ado, let’s take a look at the first five releases (in no particular order) that I’m excited about:

Pain of Salvation – In The Passing Light Of Day
Release date: 13 January 2017

pain_of_salvation_-_2017_coverThis is one of the releases that I know for sure will be released in 2017. In fact, the date is set for 13th January 2017 and I have already had the opportunity to hear it.

Pain of Salvation have always been an important band for me, ever since I started discovering progressive music around the turn of the millennium. Albums like ‘Remedy Lane’ and ‘The Perfect Element: Pt.1’ are firm favourites within my collection. However, over recent years, the output has been patchy and as far removed from their early heavy roots as it could possibly be. Nevertheless, some of the content was very nicely written and performed, albeit not to my personal taste.

And then, just as I was about to lose all hope of a heavier Pain of Salvation record, along comes news of ‘In The Passing Light of Day’, an album which is lauded to see a return to heavier climes. I have heard it and believe me, the hype is real. I cannot wait to complete my review and then hold the finished article in my hands.

My Soliloquy – Engines Of Gravity
Release date: TBC

15095691_1306793379351630_731123106189415054_nThe brainchild of Threshold guitarist Pete Morten, My Soliloquy arrived with a bang in 2013 with their debut ‘The Interpreter’. It was a classy progressive metal record, full of intricacies and complexity but never at the expense of the songs themselves. Strong melodies and excellent song-writing combined to create a highly commendable and thoroughly enjoyable debut.

The follow-up, entitled ‘Engines Of Gravity’ has been a long time coming. Indeed, it should have been released in 2016 but due to some difficulties, it has been put back to 2017. However, I am sure that the record will be worth the wait and I’m convinced that it will deliver something even more mature and refined now that the band have found their feet even more since the debut.

Vanishing Point – TBC
Release date: TBC

Ah Vanishing Point. My favourite melodic, symphonic, progressive metal band, the creators of ‘Tangled In Dream’, one of my desert island discs and in the top 5 of all time without any doubt. After a slightly sticky patch for one reason or another, the Australian metallers returned in 2014 with ‘Distant Is The Sun’, an album that pushed their 2000 classic right to the wire in all respects.

The band have been sneaky with their studio updates, not releasing too much for us to get our teeth into, but just enough to fire our enthusiasm. I’d expect nothing else from the cheeky guitarist Chris Porcianko and co. though if I’m honest. The net result is that I am chomping at the bit to hear the latest instalment from these guys, a band that are blessed with one of my very favourite singers in Silvio Massaro.

Darkane – TBC
Release date: TBC

I feel like I mention Darkane every single year in this series. Their last record was ‘The Sinister Supremacy’, released back in 2013 but since then, we’ve only had a live album to enjoy. Now, three or four years isn’t so bad I suppose but this is such a great band, I’m now desperate for some new material.

If you’re after a band that can combine melodic death metal, thrash and a healthy dose of prog-laced technicality, then Darkane are the no-brainer choice. Savage, brutal, majestic and subtly melodic, the Swedish extreme metallers have delivered quality music time and time again over their six album career.

Voyager – TBC
Release date: TBC

Another Australian band in this list, I can’t tell you how psyched I am to hear a new album from Voyager. I am a little late to the party having only really taken to the melodic, progressive metallers with the release of ‘The Meaning of I’ in 2011. However, I have since made up for it and they are frequent visitors to my stereo and rightly so. This band is a class act.

I am ashamed to admit that I am yet to see these guys on stage, given how amazing their live shows are rumoured to be. But I dearly hope to make up for that in 2017; it is one of my biggest aims for the year.

Their previous album ‘V’ was a classic, full of killer tunes delivered with style and panache. In fact, I can go weeks without listening to it but I will suddenly get one of the hooks or choruses pop up in my head and like the very best earworms, I am compelled to listen in order to release it from my brain. ‘V’ was beautifully produced, gloriously executed and so damn addictive…I can’t believe that the new album will be any different, especially how the band seem to be at their most inspired of late and on a hugely deserved upward trajectory.

Neverworld – Dreamsnatcher – Album Review

CD Cover ArtWork - Dreamsnatcher (2015)

Artist: Neverworld

Album Title: Dreamsnatcher

Label: Dream Demon Recordings

Date of Release: 4 March 2016

It is fair to say that the name Neverworld has been on my radar for some time but I’d never taken the plunge for one reason or another until now, upon the release of their second album, ‘Dreamsnatcher’. Over the past year or so, I have seen a number of snippets of music over social media and it has been these little tasters that convinced me that I had to listen to Neverworld this time around. And overall, I’m really glad I did.

But before I go on, let’s get the slight niggle out of the way first and it has to do with the production. It isn’t bad, far from it. Each instrument can be heard within the mix at most times. It’s just not to my personal taste and I can’t help but think that it could have been a little stronger, particularly in the guitar department. As it is, some of the six-string work is rendered a little fuzzy and buzzy, reminiscent of the 70s and 80s at times. This may be entirely deliberate but from my own subjective point of view, I would have liked a slightly different production approach overall.

 

Neverworld band

However, let’s move onto the positive stuff and, on that score, there’s plenty to talk about.

Imagine, if you will, a mash-up of classic NWOBHM, Bay Area thrash metal and the melodic progressive stylings of the likes of the aforementioned Vanishing Point. This description sounds good to me and happily, the reality is equally as palatable. In fact, the more I listen, the more I’m convinced that ‘Dreamsnatcher’ is very much the distilled sound of five guys with a love of heavy metal getting together, wearing their hearts on their sleeves and giving it 100%, leaving nothing behind except a trail of blood, sweat and the smell of burning denim and leather.

Neverworld 2016 is comprised of vocalist/guitarist Ben Colton, guitarist Jack Foster, drummer Mike Vaughan, keyboardist Daniel Potter and bassist Gary Payne. And ‘Dreamsnatcher’ contains everything that you’d expect from a ‘proper’ heavy metal album. You want heavy riffs? You’ve got them. You want an uncompromising and powerful rhythm section? You’ve got it. You want up-tempo music that you can bang our head and sing along to? You’ve got it. And you want dual guitar harmonies and blazing lead guitar solos? Yup, you’ve got them too and you’ve got them in spades. As someone who has a huge weakness for such frivolities, it’s a joy to hear.

And if all that wasn’t enough, you have the lead vocals of Ben Colton. When he nails it, the guy sounds great and I’m frequently reminded of the mighty Silvio Massaro of Vanishing Point, such is Colton’s rich timbre and powerful, passionate delivery. Very occasionally, when he is required to hit the higher end of his register, it sounds a bit of a struggle but otherwise, Colton is really impressive behind the mic.

It all adds up to an album that’s both serious rocking and a hell of a lot of fun. Every time I listen, I begin to smile, my head starts to nod and invariably, I break out the air guitar regardless of whether I’m behind closed doors or taking the dog out for a walk. The exuberance of Neverworld is infectious and I can’t help getting swept up in it.

Aside from the obvious vocals and lead guitar frivolities, the most ear-catching aspect of Neverworld is the keyboards of Daniel Potter. ‘Dreamsnatcher’ is awash with keys, both to enhance and create melodic lead lines but also to add depth, atmosphere and to soften the edges of an in-your-face metal assault. Some listeners bemoan and deride albums that utilise keyboards and synths but in my opinion, they are a very welcome addition to the overall Neverworld sound.

For once, I will refrain from picking out any particular songs for further scrutiny because the entire record is remarkably consistent. There’s something to like within each of the ten compositions, be it an uncompromising double pedal drum beat, a melodic and soulful lead guitar solo or a passionate vocal line.

Overall, and most importantly, Neverworld remind us all of what heavy metal is all about. At a time when we seem fixated on the next big subgenre or the ‘scene’, here is a band that have metaphorically stuck two fingers up and said, ‘we just want to rock’. And for that, Neverworld should be applauded.

The Score Of Much Metal: 8.0

If you’ve enjoyed this review, check out my others right here:

Universal Mind Project – The Jaguar Priest
Thunderstone – Apocalypse Again
InnerWish – Innerwish
Mob Rules – Tales From Beyond
Ghost Bath – Moonlover
Spiritual Beggars – Sunrise To Sundown
Oceans Of Slumber – Winter
Rikard Zander – I Can Do Without Love
Redemption – The Art Of Loss
Headspace – All That You Fear Is Gone
Chris Quirarte – Mending Broken Bridges
Sunburst – Fragments Of Creation
Inglorious – Inglorious
Omnium Gatherum – Grey Heavens
Structural Disorder – Distance
Votum – Ktonik
Fleshgod Apocalypse – King
Rikard Sjoblom – The Unbendable Sleep
Textures – Phenotype
Serenity – Codex Atlanticus
Borknagar – Winter Thrice
The Mute Gods – Do Nothing Till You Hear From Me
Brainstorm – Scary Creatures
Arcade Messiah – II
Phantasma – The Deviant Hearts
Rendezvous Point – Solar Storm
Vanden Plas – Chronicles Of The Immortals: Netherworld II
Antimatter – The Judas Table
Bauda – Sporelights
Waken Eyes – Exodus
Earthside – A Dream In Static
Caligula’s Horse – Bloom
Teramaze – Her Halo
Amorphis – Under The Red Cloud
Spock’s Beard – The Oblivion Particle
Agent Fresco – Destrier
Cattle Decapitation – The Anthropocene Extinction
Between The Buried And Me – Coma Ecliptic
Cradle Of Filth – Hammer Of The Witches
Disarmonia Mundi – Cold Inferno
District 97 – In Vaults
Progoctopus – Transcendence
Big Big Train – Wassail
NightMare World – In The Fullness Of Time
Helloween – My God-Given Right
Triaxis – Zero Hour
Isurus – Logocharya
Arcturus – Arcturian
Kamelot – Haven
Native Construct – Quiet World
Sigh – Graveward
Pantommind – Searching For Eternity
Subterranean Masquerade – The Great Bazaar
Klone – Here Comes The Sun
The Gentle Storm – The Diary
Melechesh – Enki
Enslaved – In Times
Keep Of Kalessin – Epistemology
Lonely Robot – Please Come Home
The Neal Morse Band – The Grand Experiment
Zero Stroke – As The Colours Seep
AudioPlastik – In The Head Of A Maniac
Revolution Saints – Revolution Saints
Mors Principium Est – Dawn of The 5th Era
Arcade Messiah – Arcade Messiah
Triosphere – The Heart Of The Matter
Neonfly – Strangers In Paradise
Knight Area – Hyperdrive
Haken – Restoration
James LaBrie – Impermanent Resonance
Mercenary – Through Our Darkest Days
A.C.T. – Circus Pandemonium
Xerath – III
Big Big Train – English Electric (Part 1)
Thought Chamber – Psykerion
Marcus Jidell – Pictures From A Time Traveller
H.E.A.T – Tearing Down The Walls
Vanden Plas – Chronicles Of The Immortals: Netherworld

Most Anticipated Metal Releases of 2016 – Part 3

Welcome to Part 3 of my most anticipated album releases of 2016. Missed Parts 1 and 2? Click the links below and find out why I’m thinking that 2016 could be one of the strongest years for rock and metal for a long time:

Most Anticipated Metal Releases of 2016 – Part 1
Most Anticipated Metal Releases of 2016 – Part 2

If these weren’t enough, today I bring you another 10 potential releases, in no particular order, all of which are highly exciting for me.

Redemption – The Art Of Loss

This US-based band is one of the very best within the progressive metal subgenre. Adventurous song writing, clinical execution and innate understanding of the role that melody has to play in such music. Add to this the ability to pen beautifully poignant and raw lyrics and you’re on to a real winner. Redemption are one of those bands that can seemingly do no wrong, with each and every album offering high quality progressive metal. Of course it helps that they are blessed with a singer in the form of Fates Warning’s Ray Alder, but it’s the overall song writing and vision of guitarist Nick van Dyk that helps take Redemption to a whole new level of excellence. The new album, entitled ‘The Art Of Loss’, is scheduled for a March 2016 release. I can’t wait!

Vanishing Point – Title ‘TBC’

I make no secret of my love for Vanishing Point. Ever since I heard the superlative ‘Tangled In Dream’ back in 2000, I have been smitten. To me, it was the perfect melodic progressive metal album, full of memorable songs both beautiful and sophisticated. Subsequent albums fell slightly short but in 2014, with ‘Distant Is The Sun’, the Australians well and truly rediscovered their mojo. Melody, intelligence and a satisfying amount of heavy metal crunch, it pressed all my buttons and remains an album that I return to on a frequent basis. Again, as with other picks in this post, there’s no official confirmation of a new album in 2016 but I have a feeling we’ll see new material. Bring it on, I say.

Voyager – Title ‘TBC’

Australian metallers Voyager have been around for a while but their rise in recent years has been rather meteoric in metal terms. Beginning in 2011 with ‘The Meaning Of I’ and then well and truly cemented with the astonishingly good ‘V’ in 2014, the world had no choice but to sit up and take notice of this rather unique band. Blending progressive metal with melodic rock, pop and an understated dash of modern electronic music, the result is ultra catchy and totally addictive. It of course helps that Voyager are a close-knit group with excellent musicians in every department topped off by the superlative Daniel Estrin behind the microphone. If the recently-released new single ‘Misery Is Only Company’ is anything to go by, a new album in 2016 threatens to very special indeed.

Cynthesis – Title ‘TBC’

Seemingly everything that the Tipton brothers touch turns to gold and Cynthesis is no different. We’ve already seen two albums under the Cynthesis moniker and when I spoke with Jasun Tipton during 2015, he confirmed that the third Cynthesis album was written, thus completing a dystopian trilogy in the process. Cynthesis is the most atmospheric, melodic and sensitive of all of the bands that feature the Tipton brothers and I absolutely adore the atmosphere and the lashings of gorgeous melodies that are a feature of both ‘DeEvolution’ and ‘ReEvolution’ respectively. Given the preposterously brilliant technical prowess of the musicians involved, I expect nothing short of a sonic treat when finally the third Cynthesis instalment sees the light of day.

Long Distance Calling – Trips

Beginning life as an instrumental band, German post-rockers Long Distance Calling took the decision with ‘The Flood Inside’ to introduce a vocalist. The results as far as I was concerned were superb, turning a hitherto unloved band into an act that now sits front and centre in my affections. Atmospheric, multi-layered, intelligent and somewhat enigmatic, the compositions are not always easy to grasp to begin with. However, with repeated listens, the music bears its fruit and snares the listener without them even realising what’s going on. With a brand new vocalist, it remains to be seen what a new Long Distance Calling album will sound like. Mind you, if it anything like the last, the late April release ‘Trips’ will be a sure-fire winner with me.

Big Big Train – Folklore

In recent years, I have become a sucker for the more relaxed sounds of classic progressive rock. One of the biggest and best finds for me has unquestionably been Big Big Train. The music borrows a little from the likes of early Genesis and is English pastoral progressive rock at its finest. As far as I’m concerned, Big Big Train are the undisputed genre leaders thanks to a willingness to experiment within and outside the confines of the progressive rock sphere, all the while creating music that is utterly compelling. From cheeky upbeat numbers right through to sprawling epic affairs via plenty of emotionally-charged compositions full of beautiful melodies and wonderfully imagined sonic vistas. Following on from the highly acclaimed ‘English Electric’ double-header, get ready in 2016 for ‘Folklore’.

Anathema – Title ‘TBC’

Ok, so this is a bit of a long shot. I’ve heard nothing from the Anathema camp to suggest that there is definitely a new album on the horizon for 2016. However, such is my love for this band, I live in hope, especially given the fact that the last studio album saw the light of day in 2014. Anathema are one of those bands that transcends genres to the point that talk about whether they are prog, post-rock, alternative rock or whatever is meaningless. Anathema write music that is emotionally charged, honest, poignant and utterly beautiful. I have lost count of the number of times that the brothers Cavanagh and Co. have brought me to tears via their music such is the elegance and raw honesty that is baked right into every Anathema composition. I’ve said it before and I’ll say it again: forget the Beatles, Anathema are the best band to emerge from Liverpool, end of story.

Treat – Title ‘TBC’

If there’s one melodic hard rock album I’m really looking forward to in 2016, it’s the new studio album from Treat. In 2010, the Swedes released ‘Coup de Grace’ and it blew me away. Melodicrock.com gave it a full 100% review and it isn’t hard to see why. Huge hooks, massive choruses, driving tempos and enough oomph to satisfy those looking for a little bite to their melodic rock, I fell in love with it almost immediately. ‘Coup de Grace’ remains on heavy rotation on my stereo and I never get bored of it. I therefore have high hopes for the new record, due out sometime in 2016.

Bal Sagoth – Title ‘TBC’

Ah Bal Sagoth. That most intriguing and entertaining of extreme metal bands. I discovered this UK-based band very early on in my exploration of music that pushed the boundaries and they’ve been an important part of my collection ever since. Led by the enigmatic Byron, they fuse the fury and aggression of black metal with fantasy lyrics and more synth-led bombastic symphonics than you’d think possible in music of this kind. One glance at album titles such as ‘Starfire Burning Upon The Ice-Veiled Throne Of Ultima thule’ and you get the idea. This is overblown, pompous extreme metal but it works brilliantly. The band have gone very quiet since signing for Nuclear Blast and releasing ‘The Cthonic Chronicles’ banck in 2006. However, I remain ever hopeful that after a wait of the best part of a decade, we get another record. Please Byron, sir, please?

Iced Earth – The Judas Goat

A perennial favourite, Iced Earth are surely due another album in 2016, although nothing has yet been confirmed beyond the usual rumours that are circulating. It was a shame that vocalist Matt Barlow has left the fold but in Stu Block (ex-Into Eternity), Iced Earth have found the perfect replacement. His range and natural ability behind the mic is the idea accompaniment to the classic/thrash/power metal for which guitarist and founder Jon Schaffer is famous. After a couple of hit and miss albums in recent times, Iced Earth returned to form in blistering style with 2014’s ‘Plagues Of Babylon’, meaning that the excitement for its follow-up, tentatively titled ‘The Judas Goat’ is even more feverish than before amongst the legions of loyal Iced Earth fans, myself included.