Tag Archives: To-Mera

Heavy Metal Is Not Just ‘Shouty’ Music – Part 2 – The Female Voices

I received some great feedback to my original post entitled ‘Heavy metal is not just ‘shouty’ music’ but a few people criticised it for one important reason: my post only featured male vocalists. This was in no way deliberate and, to underline this point, I have decided to write a second post that puts some of the best female vocalists in rock and metal under the spotlight.

Putting this blog post together was more difficult than I thought it would be for a number of reasons. Firstly, when I sat down to write this article, I realised that that there are a lot more female vocalists in heavy metal than I thought. Secondly, I realised that I don’t listen to nearly enough music with female vocalists as I should. Shame on me.

The result is a very personal list that mentions those artists who have impressed me over time and more recently; the singers that genuinely stand out to me and offer something different.

Naturally, there will be those of you reading this that are greater aficionados of female-fronted heavy music (if you can even pigeon-hole it all into such a tidy niche) that will vehemently disagree with my choices. But hey, that’s good – tell me who I’ve missed and why…maybe I could then write a supplementary blog once I’ve fully explored your suggestions.

Anyway, enough of my ramblings, here’s my list of current favourite female vocalists in heavy music…

Lee Douglas

Caroline Traitler Photography

Caroline Traitler Photography

Anathema are in no way a female-fronted band; however they are a band that has within their ranks of late, a female vocalist in the form of Lee Douglas who is very special indeed. Mind you, that’s a bit of an understatement borne out of the fact that I find it hard to put into words how deeply Lee’s vocals affect me. I’m not sure that there’s another voice out there in any genre who can convey such emotion and touch me so deeply. Lee’s voice is elegant, graceful, beautiful, fragile, angelic and timeless.

Cristina Scabbia

Lacuna Coil - Christina Scabbia & Andrea Ferro

Ms Scabbia had to feature in this list because I’ve been a fan of hers and of Lacuna Coil from just about the very beginning. To be entirely accurate, Lacuna Coil feature dual vocalists and the interplay between them is what makes the band so interesting. That said, Cristina’s voice never ceases to impress me. It is full of power and attitude when required but it possesses a silky-smooth quality with an unmistakable Mediterranean flavour that frequently sends chills down my spine.

Tarja Turunen

Tarja Turunen 2013 1

One of the original and best, Tarja Turunen is a rare talent. Bursting into the conscious of metal fans the world over with Nightwish, Tarja’s classically-trained operatic delivery forced just about everyone to stop and listen. Note perfect, emotionally charged and possessing a deceptive strength, Tarja’s voice remains instantly recognisable. Not content to tread water, Tarja, as a solo artist primarily, continues to push her vocal talents to new, ever impressive heights.

Anneke van Giersbergen

Picture by: Bullet-Ray

Picture by: Bullet-Ray

I remember discovering Anneke van Giersbergen via the seminal The Gathering album, ‘Mandylion’ and, since then, I have been thoroughly smitten whether as a solo artist or more recently in conjunction with Devin Townsend or Arjen Lucassen. Anneke’s range is impressive and is capable of enhancing just about any kind of composition, from genres as diverse as Gothic metal, prog rock or even folk. Anneke’s delivery sounds so effortless and has a beautifully delicate, haunting quality to it that I adore.

Floor Jansen

Photo: Tim Tronckoe photography

Photo: Tim Tronckoe photography

The sheer power of Floor Jansen’s voice is frightening. However, more frightening is her versatility as she is able to deliver a classical soprano one minute and then revert to an out-and-out rock voice the next. Whatever the style, Floor is note perfect, confident and completely convincing, to the point that whilst I was never a huge fan of After Forever or ReVamp, I listened because of Floor. She may also be the much-needed saviour of Nightwish, although time will tell on that score.

Agnete M. Kirkevaag

agnete madder

The delivery of Madder Mortem vocalist Agnete M. Kirkevaag won’t be to everyone’s taste and neither will their music either. Nevertheless, if there’s one female vocalist that has the ability to surprise, delight and confound in equal measure, in my opinion it has to be Agnete. Blessed with an impressive range and the guts to try anything, the result occasionally borders on the discordant and uncomfortable. However, this is juxtaposed almost schizophrenically with some really subtly beautiful quiet melodic passages when required.

Julie Kiss

Photo: Gothicman

Photo: Gothicman

It takes a special vocalist to enhance and bring a certain amount of immediacy to a complex and technical form of jazz-influenced progressive metal. However, that’s exactly what Julie Kiss succeeds in doing. Her soothing and serene tone for the most part is coupled with a knack of creating unusual yet thoroughly engaging melodies to the point that the listener becomes enthralled and mesmerised by the end result.

Elize Ryd

Photo Andreas Amberg

Photo Andreas Amberg

Not content with two male vocalists, Amaranthe also boast within their armoury one of my favourite female vocalists, Elize Ryd. Frankly, most pop singers could learn a thing or two from Ms Ryd given that she clearly understands how to consistently deliver addictive hooks and melodies via a potent voice. What’s more impressive is that her seductive tone has the range to be believable both atop catchy pop-like choruses or as a direct counterpoint to a full-on metal assault.

Krissie Kirby


Full of power and attitude, Triaxis’ vocalist Krissie Kirby is a force to be reckoned with and, as such, is without doubt one of my favourite female vocalists in heavy metal. It’s rare for a thrash metal band to be spearheaded by a female voice, but Krissie sounds perfect in the role, matching the scything riffs and heavy rhythm section blow for blow. And on several occasions, thanks to a great blend of melody and brute force, the impressive-lunged Krissie helps to take an already excellent Triaxis to a whole new level.

Simone Simons

Epica - Simone Simons & Mark Jansen

What I like most about Epica’s Simone Simons is the variety and versatility in her vocal delivery. On the one hand, Simone is happy to project her rich, classical, operatic voice but then with little or no apparent effort, can switch to a more straight-up rock approach. And when the tempo slows, the softness and delicacy of Simone’s voice comes to the fore, in stark contrast to the growled male vocals with which she frequently duets. The fact that she is still so young means she can only get even better; what a wonderful thought.

Rock And Metal Releases in 2012 – The Best Of The Rest (Part 1)

After the marathon event that was my Top 20 of 2012 countdown (which you can check out here if you missed it! ), I felt it was only fair to round things off with a post or two about those albums that I liked but that, for one reason or another, were not in that list.

So, here goes with two notable absentees from the Top 20…

Ne Obliviscaris 1Ne Obliviscaris
‘Portal Of I’
Code 666

Antipodean extreme progressive death metallers Ne Obliviscaris released the fantastic ‘Portal of I’ in 2012. Unfortunately for me, the release date coincided with the final trimester of my fiancee’s pregnancy and so, for a while, my life veered away from music, replaced by a blur of frantic purchases of nappies and other horrendously expensive necessities.

Ne Obliviscaris 2

The net result was that I missed out on this release entirely, until it was recommended to me in late November via Twitter. Better late than never though as I immediately loved the mix of brutality, complexity and melodic sensibility demonstrated by the talented sextet. What grabbed me most was the ambitious diversity found within the lengthy tracks as well as the inspired inclusion of the violin. This is not an album of easy listening, but then that’s the charm in my opinion.

I defy you to listen and not be impressed – had I have heard it earlier and been able to digest it all, I have no doubt that this would have easily fallen within my top 20.

And the second of today’s albums…

Illusionary Records

The reason why this did not feature on my radar from the moment it was released was because, for some reason, To-Mera had never clicked with me before. I always felt that the music was just that little bit heavy on the eclecticism and a bit too light on truly memorable compositions. Therefore, again, it wasn’t until far too late in the day that I discovered the excellent ‘Exile’. As with Ne Obliviscaris, had I have had more time to digest this album, it may well have been in my Top 20. No, scrub that, it would have been in my Top 20. Worry not, for I berate myself on a daily basis for sins like this.


Fronted by the impressive and wonderfully-monikered Julie Kiss, and featuring no less than two members of Haken, the ability of the band has never been in question. With ‘Exile’, that insane ability has been coupled with a really mature level of song writing to create a progressive metal album that is massively complex yet surprisingly accessible. When I listen to this album, time just ebbs away and I find it difficult to press stop at any point in the album. That in itself must speak volumes for its quality. Don’t do what I did and delay – check this excellent album out immediately!