Tag Archives: Season Of Mist

BlogOfMuchMetal – Metal News – 31 July 2017

Buckle up because this round-up feature some big and exciting news if you share music taste that is in any way similar to me. With that in mind, I’m not going to waste time. Instead, allow me to dive right in.

(Previous update posts can be accessed via links at the bottom of this page.)

Ne Obliviscaris – new album and new song….

20294172_10155509955749898_2381867514676896945_nNe Obliviscaris – Urn
Date of release: 27 October 2017
Label: Season Of Mist

Many column inches have been filled with commentary about Ne Obliviscaris in recent months after the Australians announced a ‘patreon crowd funding campaign’ to essentially fund them to be full-time musicians. The initiative was designed to raise enough money to pay the technical progressive death metal band a wage to allow them the time to write a new record and continue touring. The idea polarised opinion but despite the naysayers, the sextet have seemed to succeed with the venture because a new album has finally been announced.

If you like bombast and over-the-top cinematic sounds blended with intelligent extreme metal, then news of a new Ne Obliviscaris will be very welcome indeed. It certainly is as far as I’m concerned. It has been three years since the immense ‘Citadel’ was released, so I’m chomping at the bit to hear new material. Well, here you go – here’s ‘Intra Venus’ from the forthcoming album and yes, it is a monster.

Caligula’s Horse bring us the track-listing for their new album…

19146029_10154398261857105_6108765129743949462_nCaligula’s Horse – In Contact
Date of release: 15 September 2017
Label: InsideOut Music

Any new information from the Caligula’s Horse camp is worthy of sharing in my opinion, however small. And so, I bring you news that the track listing for the highly anticipated ‘In Contact’ has been released. Check it out below, in all its glory. However, to summarise, we are soon to be treated to ten new compositions, the titles of which can be seen below. ‘Bloom’ remains on frequent rotation at the Mansion Of Much Metal** so all I can say is that if these new compositions come even close to the quality heard on the majestic predecessor, they will be very exciting to hear indeed.

**I don’t really live in a mansion, I might have made that up just because it makes me sound more windswept and interesting.


Redemption are working on a new album…

dsc_5905Redemption – TBC
Date of release: TBC
Label: Metal Blade Records

It seems too good to be true doesn’t it? For fans of quality progressive metal, the name Redemption is a very important one. Fronted by Fates Warning vocalist Ray Alder, masterminded by the extraordinarily talented guitarist/songwriter Nick Van Dyk, and boasting talent in every position, Redemption is without doubt one of the best prog metal bands out there at the moment.

And so, when you consider that the band released the excellent ‘The Art of Loss’ just last year (review here), I can hardly believe I’m reporting that there is plenty of activity afoot in the Redemption camp. Chris Quirarte has posted updates of drum recording ‘for our upcoming new record’, whilst within the last few days, bassist Sean Andrews has confirmed that the tracking of his instrument is complete.

No release date or further information has been released, but the fact that a new album is so far advanced is more than I could have hoped for. In the meantime, in case you need the nudge, allow me to remind you just how good ‘The Art of Loss’ is:

Some more hints are given about one of the most exciting new bands around…

17218771_387176474982109_6918641734903355632_oCyHra – TBC
Date Of Release: October 2017?
Label: Spinefarm Records

The name CyHra has been doing the rounds for a fair while now, and it’s a name that has got me very excited. And I’m sure I’m not the only one because how can certain sections of the heavy metal community not get excited about a band that features none other than Jake E (ex-Amaranthe), the ex-In Flames pairing of bassist Peter Iwers and guitarist Jesper Strömblad, as well as drummer Alexander Landenburg from Luca Turilli’s Rhapsody? Come on, this is one very capable quartet, the stuff of dreams.

We are yet to hear any clips of completed songs, so we can only dream about what CyHra sound like. And, whilst I don’t hate the new direction that In Flames are going in, I am secretly hoping that a little of the early In flames melodeath magic creeps into the compositions. What I can tell you is that the guys have been in front of the cameras with Patric Ullaeus, working on their first video. Rumours abound that the debut album will see the light in or around October 2017, so I’m expecting the video to be released relatively soon. And then we’ll know. For now, all I can bring you is this slightly awkward video where the band introduces itself to an expectant metal community.

My Soliloquy finally edge closer to releasing their new record…

16558419_710300499129700_1372606098_nMy Soliloquy – Engines Of Gravity
Date of release: 14 September 2017
Label: Rare Artist Records

It feels like an age ago that I reviewed ‘Engines Of Gravity’, the new album from Pete Morten who, until recently and amongst many other things, was the rhythm guitarist for Threshold. In every way, ‘Engines Of Gravity’ is a step up for Pete from his debut ‘The Interpreter’. And when you consider how much of the writing, playing and producing is dealt with by Pete alone, this is an impressive feat. Want to read the review again? Click here.

Unusually, the review was written before any confirmed release date had been set. But now, finally, Pete has confirmed that pre-orders will begin from 14th August and the release date is 14th September. So it won’t be too long before one of the stand-out prog metal albums of 2017 will be let loose and then the superlatives can begin to flow from progressive music fans the world over. And with no music released from the new album yet, here’s something from the debut to tide you over for now.

Previous updates:

24 July 2017
22 July 2017
28 March 2017
23 March 2017
11 March 2017
5th March 2017
26th February 2017
13th February 2017
3rd February 2017
30th January 2017
21st January 2017

Album of the Year 2014 – Number 3

It’s getting serious now as I enter the final three albums in my 2014 top 20 countdown, the bronze, silver and gold positions. Needless to say that all three bands coming up have released fabulous albums, worthy of any accolade coming their way.

Remember, every post in this series can be accessed at the bottom of this post along with the full series’ from 2012 and 2013.

But enough of that, here’s Number 3 for 2014…

Season Of Mist

Iceland. In my opinion, one of the most magical countries on Earth and, given the size of the population, a musical powerhouse. When my brother passed away in 2008, my family and I started a search for a perfect resting place for some of his ashes. His love of rugged landscapes, mountains and the wilderness led us inexorably towards Iceland. None of us had visited before and when we arrived in 2009, we were not prepared for the impact it would have on us. Breathtakingly beautiful, it felt right and there was no hesitation in leaving part of him behind in a tranquil spot near the Gulfoss waterfall in the shadow of mountains and glaciers.

My parents and I returned to Iceland earlier this year to revisit my brother and once again, the island worked its magic. We were only there for three full days but by the end, I simply did not want to leave. I would move there tomorrow given half a chance.

You may be wondering why I’m saying all this on a post about my third favourite album of the year. The answer is that it provides some much needed context so that when I say that ‘Otta’ feels to me like the sound of Iceland, the importance of this statement can be fully understood.

Very few bands manage to convey a sense of their surroundings so eloquently but by heavens, with ‘Otta’, Icelanders Sólstafir are one such band. The quartet have come a long way from their more extreme days and the post-rock inspired ‘Otta’ has to be considered to be their masterpiece to date.

Picture by: Guðný Lára Thorarensen

Picture by: Guðný Lára Thorarensen

We already knew it but music does not have to be technically complex in order to be engaging, enjoyable and full of depth. Compositionally, this is not the most overtly complicated music from a technical standpoint but regardless of this, to write music as good as this is not easy. On this record, Sólstafir concentrate on creating intense atmospheres and painting epic vistas in the minds of the listener, many of which bring me close to tears. As I allow this very organic and natural-sounding album wash over me and seep into my psyche, I ache to return to the homeland of Sólstafir, to once again experience the landscape which has been reimagined so beautifully in musical form. The striking artwork will give you a clue and more of an understanding of what to expect.

Unlike Sólstafir’s previous album, ‘Svartir Sandar’, ‘Otta’ is contained on just the one disc. As such, it’s a more honed affair. Admittedly the eight tracks still last for nearly an hour collectively with a good half of the compositions reaching well beyond the seven-minute mark. Importantly though, the perception as you listen is of a much shorter album, so effectively does it pull you in and delight you at every majestic turn.

The album opens in impressive fashion with ‘Lagnaetti’ and maintains the quality until the last note dies away. The opener begins in quiet, relatively sombre fashion but builds throughout its length into something more urgent and powerful. However, all the while it is held together by a really engaging melody line.

What transports this album into the higher echelons is the melodic sensibility at play here. The title track begins with an ambient feel but once again builds around a central melody which is stunningly beautiful but also rather unique given that it is brought to life by a banjo.

In the centre of the album sit the more truncated and, arguably, more immediately accessible trio of ‘Rismal’, ‘Dagmal’ and ‘Middegi’, each of which could teach a thing or two to sections of the post-rock fraternity about how to write material that is both catchy and full of integrity whilst still managing to once again convey an impressive soundscape in the process.

‘Non’, ‘Midaftann’ and ‘Nattmal’ complete the album in equally spectacular fashion. ‘Nattmal’ is the longest and most challenging composition on ‘Otta’ whilst ‘Midaftann’ is simply gorgeous, dominated as it is by a lone piano, thereby lending the track a more introspective feel.

I think the opening couple of paragraphs will help you understand just how much I love ‘Otta’ and, more importantly, why. However, this album from Sólstafir is just so brilliant and engaging that anyone who likes powerful guitar-based music should derive an awful lot of satisfaction from listening to it. It is an honest, vibrant and poignant album that I have taken it to my heart. And I bet I’m not the only one. Sensational.

Check out the other posts in this series:

Album of the Year 2014 – Number 4
Album of the Year 2014 – Number 5
Album of the Year 2014 – Number 6
Album of the Year 2014 – Number 7
Album of the Year 2014 – Number 8
Album of the Year 2014 – Number 9
Album of the Year 2014 – Number 10
Album of the Year 2014 – Number 11
Album of the Year 2014 – Number 12
Album of the Year 2014 – Number 13
Album of the Year 2014 – Number 14
Album of the Year 2014 – Number 15
Album of the Year 2014 – Number 16
Album of the Year 2014 – Number 17
Album of the Year 2014 – Number 18
Album of the Year 2014 – Number 19
Album of the Year 2014 – Number 20

And if you’re interested, my similar countdowns from previous years can be accessed here:

Top 20 of 2012
Album of the Year 2013

Album Of The Year 2013 – Number 20

Yes, it’s that time of year again, when I offer my thoughts on the best releases that have assaulted my ears this calendar year. So, having built it up over the past few weeks, I have finally decided on my Album of The Year for 2013 and my top 20 for the year overall.

It has taken a lot of thinking and listening to come to a final decision with this list. I’m still not 100% certain that I have got it right and I’ll probably get to the end and exclaim my idiocy for forgetting a particular album or putting something in completely the wrong place. But hey ho, if I didn’t take the plunge now, I never would. In many ways, 11-20 are not really in any specific order but I’ve have to do it in this manner so that I can count down in the same way as I did last year. That way, I get more space to explain my choices and hopefully it will give you more time to check out these recommendations.

Without further ado or interminable waffle, here goes…

Number 20:

“Κατά τον Δαίμονον Εαυτού” (Do What Thou Wilt)
Season Of Mist

I have been a fan of Rotting Christ for many years, although it is fair to say that I have been more of a part-time, casual fan of the Greek black metallers rather than a rabid devourer of their entire back catalogue. I enjoy some of their releases more than others but this one in particular made a big impact upon me this year.

The impact is immediate, thanks to the opening track ‘In Yumen – Xibalba’ which is an utter monster. It is ominous, creepy, crushingly heavy and a thoroughly brilliant way in which to begin the album. The fact that the remainder of the album maintains this quality just seals its place in my top 20.

It is fair to say that ‘Do What Thou Wilt’ stylistically follows a similar path to its predecessor, ‘Aealo’, so if you’re already familiar with that release from 2010, you’re certain to like this one too. Crushing riffs, Sakis’ distinctive vocals, relatively simple song constructions and ominous atmospheres are all present and correct. However, in a number of ways, the ante has been upped. The inclusion of even more ethnic influences in a great improvement in my opinion, as is the honing of the melodies which help to counteract and soften some of the aggression and ferocity throughout. Then there’s the massive production, courtesy of band mastermind Sakis and Jens Bogren at Fascination Street Studios, which makes the whole thing feel even more powerful.

RC pic

To quote my review for This Is Not A Scene, “Rotting Christ may not be the most overtly technical band in extreme metal realms but where some bands follow, Rotting Christ can genuinely be described as leaders.” I stand by that statement.

Remember, you can also check out my Top 20 from 2012 here.