Anticipated music in 2017 – an update – 30 Jan

Ayreon – The Source
Release date: 28 April 2017

ayreon-coverIt seems like every few days at the moment that we get a new Ayreon update. Not that I’m complaining at all. First we get the track listing and then we get a new song.

I must admit that the first time I watched the video and heard the music for ‘The Day That The World Breaks Down’, I got goosebumps. Not only because the music was strong, heavy and powerful, but because of the impact of the guest vocalists that litter the lengthy track. To have this amount of vocal talent in one place is bordering on criminally magical. You may have already seen me share it over social media outlets, but it can’t hurt to share it again here.


I had high hopes for the new Ayreon album a few weeks ago. My excitement is now at a whole new level. I get the distinct impression that this could be Arjen Lucassen’s finest hour. Only three months to wait…

Pallbearer – Heartless
Release date: 24 March 2017

15826722_1705409859485158_999859890853457012_nIn the last few days, we have finally been treated to a new track off the upcoming Pallbearer album, ‘Heartless’. The song is called ‘Thorns’ and can be explored below.

Having featured Pallbearer in my ‘most anticipated’ series earlier in the month, I have been asked for my opinion of this new track a few times. In short, I really dig it – it still retains that doom sheen but the composition is so much more than that – it is varied, intriguing and enjoyable right off the bat. There are even hints to modern era Katatonia in there, which is a really welcome ingredient. If this is a true representation of the full album, I am very much on board.

Nailed to Obscurity – King Delusion
Release Date: 3 February 2017

15977895_10154446249752872_6528639204757627055_nI’m always on the hunt for exciting new music and during my most recent foray into the murky world of the extreme metal underground, I came across Nailed To Obscurity. They are a name that I’ve heard before but never had the overwhelming to explore. I’m not entirely sure I understand why that is because, based upon the track below, this is the kind of music that I truly love.

Heavy, dark and melodically aware, this has hints of early Katatonia and others within it but fundamentally, they create a very commendable racket indeed. New album ‘King Delusion’ is officially released very soon on 3rd February 2017 on Apostasy Records and I’m now feverishly trying to land a promo so that I can review the record for the Blog of Much Metal as soon as possible.

Mastodon – Emperor Of Sand
Release date: 31 March 2017

mastodon-emperor-of-sandI’d completely missed this album until last night when I stumbled upon the news. Mastodon are a big deal but not so much for me. I have a few o their albums but I’ve never warmed to them as much as I think I should have, or as much as others have. I’m not sure why, because on paper, their approach sounds right up my street. And yet the reality has never matched up. And yet I’m always interested to hear a new album from the industrious quartet.

‘Sultan’s Curse’ can be heard below and is a cut off the new record, ‘Emperor Of Sand’. I must admit that it is one of the most immediately enjoyable tracks I’ve heard from the metal juggernauts so I have a renewed vigour to check out this new album, maybe even give it a review if I can access a promo. Watch this space.

Demonic Resurrection – Dashavatar
Release date: 15 March 2017

15822908_1859610294309479_318929624969591399_nIndia is not a country renowned for heavy metal. However, flying what often feels like a lone flag for extreme metal in India is Demonic Resurrection. Over the past few years, their stock has risen quite a lot to the point where theirs is a name that is relatively well known in underground metal circles.

Their new album, ‘Dashavatar’ is released on 15th March 2017 on Demonstealer Records and below is ‘Matsya – The Fish’. As you can hear, Demonic Resurrection deliver their own take on technical death metal but they do so whilst embracing the musical influences of their homeland. As such, you’ll hear authentic instrumentation, sounds and textures within their music. I really like this and am looking forward to the album.

Vangough – Warpaint
Release date: 17 March 2017

I have been a fan of Vangough since the release of their debut album ‘Manikin Parade’ in 2009. The rich prog metal in the vein of classic Pain Of Salvation was a draw that was too powerful to resist and it is a record I still listen to a lot today. News therefore of a new album from the Oklahoma based progressive metallers is very welcome indeed, in spite of the fact that releases two and three were not, in my opinion, as strong as the debut.

I can offer you a teaser trailer of the new record and although it is difficult to glean too much from it, I’d say that the omens are good for a quality album. I’m genuinely chomping at the bit to see how this new album sounds. Who’s with me?

Beholder – Reflections – Album Review


Artist: Beholder

Album Title: Reflections

Label: Razorline Music

Date of Release: 12 April 2016

If I had to sum up the music of UK metal band Beholder in four words, my instant reply would be: ‘heavy, uncompromising, honest and intense’.

‘Reflections’ is the Coventry/Leicester-based metallers’ third full length recording over a career that has spanned over a decade. Up until now, the name Beholder has almost exclusively been the preserve of the metal underground, as the quartet have diligently and tirelessly built up a name for themselves with the grass roots of the genre. However, I have a strong hunch that ‘Reflections’ might just elevate Beholder into a whole new level over the coming year or so.

I’ve never been the biggest fan of Beholder over the years but something told me that I had to check out this record when the promo dropped into my inbox. In the past, my instincts have generally served me well and this is another prime example of my sixth sense coming up trumps.

Beholder 2016 is comprised of vocalist and band mastermind Simon Hall, guitarist/vocalist Scott Taylor, bassist/vocalist Si Fielding and drummer Chris Bentley. Together, they have created a properly heavy, snarling beast of a metal record that should, if there’s any justice in this world, bring a greater level of success and notoriety.

Credit: Unknown
Credit: Unknown

‘Reflections’ has many individual strengths within its ten compositions such as muscular riffing, a powerhouse rhythm section, passionate socially and politically-driven lyrics delivered with utter conviction in a variety of styles and a surprising amount of melody. However, the biggest strength of all is the way in which all of the ingredients have been blended together. None of the individual elements are overused or overworked and they certainly don’t get in the way of the overall Beholder aim, which I can only assume is to create a quality and properly heavy metal album.

Personally, I hear echoes of Nevermore and early Mastodon as well as elements of djent and the heavier end of the progressive metal spectrum littered throughout ‘Reflections’ but these influences are never rammed down the listener’s throat. Instead, Beholder are happy to doff their cap in the direction of their various inspirations whilst forging an overall sound that is very much their own. Indeed, as I listen, I am unable to think of another band that sounds quite like Beholder.

What I particularly like about ‘Reflections’ is the clever subtlety that begins to come to the fore after a few careful and considered spins. On one level, Beholder do certainly deliver for those looking for an uncomplicated bout of head banging. But, they also give you more if you’re interested. Acoustic guitar interludes, multi-layered vocals and intricate, deceptively complex guitar riffs are all present and correct at various points, adding a depth and sophistication that I for one take great delight in hearing.

Opening track ‘Frozen Steps Of Utøya’ is a huge track, packed full of most of the aforementioned Beholder strengths. The down-tuned riffing and flamboyant drumming are joined by a range of vocal styles, from the snarling quasi-gruff approach, to a more impassioned clean delivery to accompany a chorus of sorts that has a hook within it that becomes rather addictive.

‘I. Machine’ is another favourite. Chunky stop-start riffs combine with more subtle melody and a demonstrable thrash vibe in the verses to devastating effect. The acoustic-led outro is a touch of class as well.

Elsewhere, the Nevermore-meets-djent overtones come to the fore within ‘Heal The Wounds’, a track that also delivers one of the biggest and most immediate choruses as well as some gorgeous lead guitar lines. ‘Dance Macabre’ spews forth a hypnotic groove and a chorus that shows off the multi-layered vocals brilliantly, whereas ‘Breath In The Silence’ sees Beholder arguably at their most progressive, with a pronounced juxtaposition between the extreme, almost cacophonous elements and their softer, more melodious side.

To be honest, there is rarely a weak moment to be heard within ‘Reflections’ and the music is further enhanced by a production that is every bit as strong as the music. I’d like to hear the bass just a tad more within the mix but this is splitting hairs and my weak attempt to find fault with an otherwise very impressive album. As I stated at the outset, this is heavy, uncompromising, honest and intense music of a very high standard and as such, I recommend ‘Reflections’ very highly indeed.

The Score Of Much Metal: 8.25

If you’ve enjoyed this review, check out my others right here:

Neverworld – Dreamsnatcher
Universal Mind Project – The Jaguar Priest
Thunderstone – Apocalypse Again
InnerWish – Innerwish
Mob Rules – Tales From Beyond
Ghost Bath – Moonlover
Spiritual Beggars – Sunrise To Sundown
Oceans Of Slumber – Winter
Rikard Zander – I Can Do Without Love
Redemption – The Art Of Loss
Headspace – All That You Fear Is Gone
Chris Quirarte – Mending Broken Bridges
Sunburst – Fragments Of Creation
Inglorious – Inglorious
Omnium Gatherum – Grey Heavens
Structural Disorder – Distance
Votum – Ktonik
Fleshgod Apocalypse – King
Rikard Sjoblom – The Unbendable Sleep
Textures – Phenotype
Serenity – Codex Atlanticus
Borknagar – Winter Thrice
The Mute Gods – Do Nothing Till You Hear From Me
Brainstorm – Scary Creatures
Arcade Messiah – II
Phantasma – The Deviant Hearts
Rendezvous Point – Solar Storm
Vanden Plas – Chronicles Of The Immortals: Netherworld II
Antimatter – The Judas Table
Bauda – Sporelights
Waken Eyes – Exodus
Earthside – A Dream In Static
Caligula’s Horse – Bloom
Teramaze – Her Halo
Amorphis – Under The Red Cloud
Spock’s Beard – The Oblivion Particle
Agent Fresco – Destrier
Cattle Decapitation – The Anthropocene Extinction
Between The Buried And Me – Coma Ecliptic
Cradle Of Filth – Hammer Of The Witches
Disarmonia Mundi – Cold Inferno
District 97 – In Vaults
Progoctopus – Transcendence
Big Big Train – Wassail
NightMare World – In The Fullness Of Time
Helloween – My God-Given Right
Triaxis – Zero Hour
Isurus – Logocharya
Arcturus – Arcturian
Kamelot – Haven
Native Construct – Quiet World
Sigh – Graveward
Pantommind – Searching For Eternity
Subterranean Masquerade – The Great Bazaar
Klone – Here Comes The Sun
The Gentle Storm – The Diary
Melechesh – Enki
Enslaved – In Times
Keep Of Kalessin – Epistemology
Lonely Robot – Please Come Home
The Neal Morse Band – The Grand Experiment
Zero Stroke – As The Colours Seep
AudioPlastik – In The Head Of A Maniac
Revolution Saints – Revolution Saints
Mors Principium Est – Dawn of The 5th Era
Arcade Messiah – Arcade Messiah
Triosphere – The Heart Of The Matter
Neonfly – Strangers In Paradise
Knight Area – Hyperdrive
Haken – Restoration
James LaBrie – Impermanent Resonance
Mercenary – Through Our Darkest Days
A.C.T. – Circus Pandemonium
Xerath – III
Big Big Train – English Electric (Part 1)
Thought Chamber – Psykerion
Marcus Jidell – Pictures From A Time Traveller
H.E.A.T – Tearing Down The Walls
Vanden Plas – Chronicles Of The Immortals: Netherworld

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