Can you believe that it’s already day three of my 2015 ‘Album of the Year’ countdown? I hope you’re enjoying my series and although it is early days, perhaps you’ve discovered something new or I’ve managed to change your mind about an album. Who knows, but what I do know is that, as intense and hard work as this series is every year, I’m really enjoying myself. I just love talking about music and I love giving plaudits to music that deserves it. Nothing gives me greater pleasure than giving space on my blog to artists that have, in some way, made a positive impression on me.
A reminder that 30-16 are only loosely and rather arbitrarily numbered. They are all extremely good and worthy of attention, hence the increase from a top 20 to a top 30 – it was too strong a year to only pick 20!
If you’ve missed the previous two instalments, you can read them here:
‘The Girl In The Raven Mask’
Nuclear Blast Records
Those that know me and my music tastes will know that I’m not the biggest fan of doom per se. I love the symphonic melodic death/doom but when it comes to classic, down and dirty classic doom rock/metal, I’m not always so keen. Today’s pick is, therefore, another early surprise in this year’s list.
Avatarium could be referred to as a ‘supergroup’ of sorts given that the band is comprised of bassist Leif Edling (Candlemass), guitarist Marcus Jidell (ex-Royal Hunt/ex-Evergrey) and drummer Lars Sköld (Tiamat) as well as vocalist Jennie-Ann Smith and keyboardist Carl Westholm. It’s a mouth-watering line-up for sure and they have well and truly delivered the goods with their sophomore release, ‘The Girl In The Raven Mask’.
The core of the Avatarium sound is very much doom rock/metal with a rich and organic 70s vibe, where the synths and keyboards pay homage to a bygone era of music. But not content to leave things there, the quintet have added their own stamp to the eight compositions on the record. The result is something that feels both familiar and unique. Progressive flourishes blend in with dash of psychedelia and a harsher edge at times to create drama, whilst a soulful edge is injected via both Smith’s charismatic vocals and Marcus Jidell’s guitar playing.
The title track is a heady opening to the album, featuring some great riffs and a tempo that’s utterly infectious. It’s Avatarium in full flow and the result is truly glorious. Other favourites include the more ominously ponderous and sprawling ‘The Master Thief’ which features some beautifully subtle lead guitar work, full of expression. Then there’s ‘January Sea’ with its melodic chorus and great vocals, whilst ‘Run Killer Run’ is a groovy beast that lodges itself instantly into my brain and won’t let go.
As classic-inspired doom goes, there’s nothing to match Avatarium in 2015. ‘The Girl In The Raven Mask’ is, as far as I’m concerned, the absolute pinnacle of this style of music and has to be heard by as wide an audience as possible.
And from previous years: